Une femme de ménage
2002 · 91 min · Director: Claude Berri
Show plot summary (may contain spoilers)
After his wife leaves him for another man, Jacques hires a housekeeper, Laura, to keep his Paris apartment in order. As he starts increasing her hours and spending more time with her on her days off, Jacques is torn between the pleasure of Laura's company, and the headache that such an intrusion brings to his new domain of singlehood.
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Emotional fingerprint
Une femme de ménage (2002) — Movie. Top emotional signals: Empathy 30%, Melancholy 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Melancholy25%
- Love20%
- Humor15%
- Sadness10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Melancholy, Love. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Melancholy and Love. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Tension
Dominant emotion: Fear
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 30 % | 15 % | 30 % | 3 % |
| 7.5 % | ≈ 7′ | Curiosity | 36 % | 24 % | 35 % | 6 % |
| 12.5 % | ≈ 11′ | Curiosity | 38 % | 29 % | 34 % | 5 % |
| 17.5 % | ≈ 16′ | Humor | 34 % | 24 % | 26 % | 3 % |
| 22.5 % | ≈ 20′ | Sympathy | 33 % | 21 % | 21 % | 4 % |
| 27.5 % | ≈ 25′ | Humor | 34 % | 24 % | 24 % | 8 % |
| 32.5 % | ≈ 30′ | Curiosity | 40 % | 20 % | 27 % | 9 % |
| 37.5 % | ≈ 34′ | Sympathy | 46 % | 13 % | 24 % | 5 % |
| 42.5 % | ≈ 39′ | Sympathy | 46 % | 19 % | 21 % | 4 % |
| 47.5 % | ≈ 43′ | Sympathy | 46 % | 31 % | 28 % | 9 % |
| 52.5 % | ≈ 48′ | Sympathy | 48 % | 33 % | 36 % | 15 % |
| 57.5 % | ≈ 52′ | Sympathy | 50 % | 36 % | 43 % | 23 % |
| 62.5 % | ≈ 57′ | Tension | 55 % | 45 % | 49 % | 30 % |
| 67.5 % | ≈ 61′ | Curiosity | 53 % | 43 % | 48 % | 24 % |
| 72.5 % | ≈ 66′ | Tension | 45 % | 38 % | 38 % | 11 % |
| 77.5 % | ≈ 71′ | Sympathy | 50 % | 45 % | 33 % | 14 % |
| 82.5 % | ≈ 75′ | Tension | 69 % | 64 % | 38 % | 39 % |
| 87.5 % | ≈ 80′ | Fear | 83 % | 78 % | 48 % | 68 % |
| 92.5 % | ≈ 84′ | Tension | 83 % | 78 % | 52 % | 75 % |
| 97.5 % | ≈ 89′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Ernest, Bartender
Julien
Woman on the Terrace
Singer
Neighbor
Musician
Musician
Musician
Details
- Directed by
- Claude Berri
- Written by
- Claude Berri, Christian Oster
- Type
- Movies
- Released
- 2002
- Runtime
- 91 min
- Country
- France
- Ratings
- Feels mostly
- Empathy
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





