Chicago
2002 · 113 min · Director: Rob Marshall
Show plot summary (may contain spoilers)
Murderesses Velma Kelly (Catherine Zeta-Jones) (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (Renée Zellweger) (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Emotional fingerprint
Chicago (2002) — Movie. Top emotional signals: Humor 30%, Excitement 25%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Excitement25%
- Surprise15%
- Satisfaction15%
- Tension15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Surprise. Genres: Comedy, Musical, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Surprise. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Humor
- Curiosity
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Curiosity | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 43 % | 16 % | 33 % | 28 % |
| 7.5 % | ≈ 8′ | Tension | 49 % | 22 % | 38 % | 18 % |
| 12.5 % | ≈ 14′ | Tension | 50 % | 31 % | 38 % | 13 % |
| 17.5 % | ≈ 20′ | Humor | 48 % | 36 % | 36 % | 13 % |
| 22.5 % | ≈ 25′ | Curiosity | 50 % | 40 % | 39 % | 10 % |
| 27.5 % | ≈ 31′ | Humor | 49 % | 43 % | 36 % | 10 % |
| 32.5 % | ≈ 37′ | Humor | 45 % | 44 % | 33 % | 13 % |
| 37.5 % | ≈ 42′ | Humor | 49 % | 49 % | 36 % | 13 % |
| 42.5 % | ≈ 48′ | Humor | 55 % | 55 % | 32 % | 21 % |
| 47.5 % | ≈ 54′ | Humor | 55 % | 55 % | 24 % | 30 % |
| 52.5 % | ≈ 59′ | Humor | 50 % | 50 % | 26 % | 24 % |
| 57.5 % | ≈ 65′ | Humor | 50 % | 45 % | 30 % | 14 % |
| 62.5 % | ≈ 71′ | Sadness | 56 % | 33 % | 30 % | 8 % |
| 67.5 % | ≈ 76′ | Sadness | 60 % | 27 % | 34 % | 7 % |
| 72.5 % | ≈ 82′ | Humor | 60 % | 39 % | 41 % | 12 % |
| 77.5 % | ≈ 88′ | Tension | 64 % | 46 % | 48 % | 12 % |
| 82.5 % | ≈ 93′ | Tension | 65 % | 40 % | 44 % | 12 % |
| 87.5 % | ≈ 99′ | Sadness | 61 % | 32 % | 28 % | 27 % |
| 92.5 % | ≈ 105′ | Joy | 59 % | 28 % | 14 % | 44 % |
| 97.5 % | ≈ 110′ | Joy | 55 % | 24 % | 7 % | 47 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Chicago. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Katalin Helinski "Hunyak"
Annie
Police Photographer
Newspaper Photographer
Details
- Directed by
- Rob Marshall
- Written by
- Bill Condon, Bob Fosse, Fred Ebb
- Type
- Movies
- Released
- 2002
- Runtime
- 113 min
- Country
- United States, Germany
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Subscription
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
