Michel Vaillant
2003 · 103 min · Director: Louis-Pascal Couvelaire
Show plot summary (may contain spoilers)
Fearless racer Michel Vaillant attempts to win "24 Hours of Le Mans", the famous highly challenging and prestigious annual endurance race that lasts one whole day.
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Emotional fingerprint
Michel Vaillant (2003) — Movie. Top emotional signals: Excitement 40%, Tension 25%, Anticipation 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement40%
- Tension25%
- Anticipation20%
- Surprise10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Tension, Anticipation. Genres: Action, Sport. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Tension and Anticipation. Its IMDb rating of 5.4/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Excitement
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Excitement
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Excitement | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 63 % | 57 % | 42 % | 28 % |
| 7.5 % | ≈ 8′ | Excitement | 55 % | 37 % | 40 % | 15 % |
| 12.5 % | ≈ 13′ | Humor | 49 % | 21 % | 36 % | 6 % |
| 17.5 % | ≈ 18′ | Humor | 46 % | 24 % | 34 % | 4 % |
| 22.5 % | ≈ 23′ | Tension | 55 % | 48 % | 38 % | 8 % |
| 27.5 % | ≈ 28′ | Tension | 70 % | 59 % | 39 % | 13 % |
| 32.5 % | ≈ 33′ | Sadness | 69 % | 39 % | 34 % | 16 % |
| 37.5 % | ≈ 39′ | Excitement | 59 % | 33 % | 34 % | 20 % |
| 42.5 % | ≈ 44′ | Tension | 57 % | 50 % | 31 % | 16 % |
| 47.5 % | ≈ 49′ | Tension | 68 % | 66 % | 40 % | 25 % |
| 52.5 % | ≈ 54′ | Tension | 69 % | 66 % | 49 % | 34 % |
| 57.5 % | ≈ 59′ | Tension | 64 % | 63 % | 32 % | 18 % |
| 62.5 % | ≈ 64′ | Tension | 70 % | 69 % | 26 % | 4 % |
| 67.5 % | ≈ 70′ | Tension | 71 % | 69 % | 36 % | 1 % |
| 72.5 % | ≈ 75′ | Tension | 68 % | 66 % | 40 % | 6 % |
| 77.5 % | ≈ 80′ | Tension | 73 % | 73 % | 50 % | 29 % |
| 82.5 % | ≈ 85′ | Tension | 83 % | 81 % | 66 % | 45 % |
| 87.5 % | ≈ 90′ | Excitement | 88 % | 78 % | 76 % | 49 % |
| 92.5 % | ≈ 95′ | Relief | 88 % | 67 % | 82 % | 62 % |
| 97.5 % | ≈ 100′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Élisabeth Vaillant
Ruth Wong
Gabrielle Spangenberg
David Dougherty
Payntor
Natasha
Details
- Directed by
- Louis-Pascal Couvelaire
- Written by
- Luc Besson, Jean Graton, Philippe Graton, Gilles Malençon
- Type
- Movies
- Released
- 2003
- Runtime
- 103 min
- Country
- France
- Ratings
- Feels mostly
- Excitement
- Data updated
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





