feeldb

Kamchatka

2002 · 106 min · Director: Marcelo Piñeyro ★ IMDb 7.1 · 3,976 ratings

Show plot summary (may contain spoilers)

The film is seen through the eyes of a ten-year-old boy, Harry (Matías del Pozo), who does not know that Argentina's 1976 coup d'état is impacting his life. After witnessing the "disappearance" of dissident friends, a human rights lawyer (Ricardo Darín) and his research scientist wife (Cecilia Roth) flee the city and hide from the military police in a vacant summer house. With them are their two kids: Harry, who is fascinated with the escape artistry of Harry Houdini, and El Enano, his little brother. (Translated as "Little Guy" in the English subtitles, played by Milton de la Canal. The actual translation is "dwarf".) The family adopts new identities and attempts to lead a normal life. Later, they are joined by a student who is using the alias Lucas (Tomás Fonzi). Their new life is difficult, but a visit with their estranged grandparents (Fernanda Mistral and Héctor Alterio) reveals that they are still a close-knit family. Subtly hinted, however, and used as a metaphor, is the mother's constant smoking and El Enano's renewed bed-wetting. Both serve to show how stressful and precarious their situation is.

Ask Kadri

Trailer for Kamchatka

Playing the trailer connects to YouTube. No connection is made until you choose to play.

Rate how it felt
Working…

Your viewing check-in

Emotional fingerprint

Kamchatka (2002) — Movie. Top emotional signals: Empathy 30%, Sadness 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Love15%
  2. Hope10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Empathy, Sadness, Anxiety. Genres: Drama. AI estimate.

Is it worth watching?

Consider this title if you are looking for Empathy, Sadness and Anxiety. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.

How did it make you feel?

Votes are saved to the fingerprint once you’re signed in.

Pick up to three · 0/3

1
2
3

Emotional journey

AI · from subtitles
  • Love
  • Sadness
  • Tension

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Curiosity

Dominant emotion: Tension

Dominant emotion: Love

Dominant emotion: Sadness

Dominant emotion: Humor

Love
Sadness
Tension
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidenceNot enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 3 %, then dips around 38 %, then peaks around 83 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityLoveSadnessTension
2.5 %≈ 3′Curiosity52 %18 %18 %38 %
7.5 %≈ 8′Tension55 %23 %21 %45 %
12.5 %≈ 13′Curiosity51 %24 %18 %40 %
17.5 %≈ 19′Tension50 %21 %19 %41 %
22.5 %≈ 24′Tension54 %28 %20 %45 %
27.5 %≈ 29′Love53 %38 %15 %35 %
32.5 %≈ 34′Curiosity49 %34 %19 %29 %
37.5 %≈ 40′Sadness48 %29 %26 %35 %
42.5 %≈ 45′Love48 %30 %26 %40 %
47.5 %≈ 50′Humor54 %38 %34 %45 %
52.5 %≈ 56′Love63 %53 %43 %48 %
57.5 %≈ 61′Love64 %60 %40 %36 %
62.5 %≈ 66′Love63 %60 %36 %25 %
67.5 %≈ 72′Love64 %56 %41 %25 %
72.5 %≈ 77′Sadness66 %55 %46 %27 %
77.5 %≈ 82′Love70 %51 %39 %39 %
82.5 %≈ 87′Tension75 %38 %35 %60 %
87.5 %≈ 93′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
92.5 %≈ 98′Sadness95 %90 %95 %35 %
97.5 %≈ 103′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Icarus

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

Kadri — your film companion

AI

Ask anything about Kamchatka. From the film’s own dialogue and FeelDB data, at your spoiler level.

Kadri

Hi, I’m Kadri. Ask me anything about Kamchatka — I’ll stay inside your spoiler line.

Premise only
Enter to send · Shift + Enter for a new line
Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

0 responses so far

Feeling details appear after at least 3 viewers respond, to protect privacy.

Cast

HA
Héctor Alterio

Grandfather

FM
Fernanda Mistral

Grandmother

TF
Tomás Fonzi

Lucas

NC
Nicolás Cantafio

Bertuccio

MS
Mónica Scapparone

Bertuccio's Mother

MD
Matías Del Pozo

Harry

MD
Milton De La Canal

Simon / El Enano / Tiny

ED
Evelyn Domínguez

Niña Morena

LB
Leticia Brédice

Teacher

GG
Gabriel Galíndez

Military Guard

MS
María Socas

Mom's Friend

JC
Juan Carrasco

Priest

DB
Demián Bugallo

School Mate

OF
Oscar Ferrigno Jr.

Father Juan

AS
Alberto Silva

Man in the Train

Details

Directed by
Marcelo Piñeyro
Written by
Marcelo Piñeyro, Marcelo Figueras
Type
Movies
Released
2002
Runtime
106 min
Country
Argentina, Spain, Italy
Genres
Drama
Ratings
★ IMDb 7.1 · 3,976 ratings
Feels mostly
Empathy
Data updated

Where to watch

Data: JustWatch

Feels similar

More like this →

Emotion overlap shows mood similarity, not a prediction of enjoyment.