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Under the Tuscan Sun

2003 · 113 min · Director: Audrey Wells ★ IMDb 6.8 · 66,191 ratings

Show plot summary (may contain spoilers)

Frances Mayes is a San Francisco-based literature professor, literary reviewer and author, who is struggling in writing her latest book. Her outwardly perfect and stable life takes an unexpected turn when her husband files for divorce. He wants to marry the woman with whom he is having an affair. Frances supported her husband financially as he was writing his own book, and he sues her for alimony despite her financial difficulties. And he wants to keep the house. Frances eventually accepts her best friend Patti's offer of a vacation, a gay tour of Tuscany which Patti and her lesbian partner Grace originally purchased for themselves before Patti found out that she is pregnant. The gift is a means to escape dealing with the divorce, from which Patti feels Frances may never recover emotionally without some intervention. Feeling that Patti's assessment may be correct in that she has too much emotional baggage ever to return to San Francisco, Frances, while in Tuscany, impulsively ditches the tour to purchase an aged villa, which ends up being a fixer-upper. Frances has many obstacles in eking out a productive and happy life in her new surroundings, that happy life which she hopes will eventually include rediscovering romantic love. In a discussion with sympathetic real estate agent Signor Martini, Frances outlines what emotionally she wants to accomplish with the villa, despite none of those items in a substantive material sense currently being in her life. In response, Martini tells her the story of a set of railroad tracks that were laid between Vienna and Venice before an engine that could make the trek being built, a train which now regularly travels the route. The question becomes whether Frances, in going through the process, will be laying another Vienna to Venice track, and if so whether that end product emotionally will be exactly as she envisions.

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Emotional fingerprint

Under the Tuscan Sun (2003) — Movie. Top emotional signals: Hope 30%, Joy 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

30%Hope
25%Joy
20%Love
  1. Hope30%
  2. Joy25%
  3. Love20%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Hope, Joy, Love. Genres: Comedy, Drama, Romance. AI estimate.

Is it worth watching?

Consider this title if you are looking for Hope, Joy and Love. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Joy
  • Hope
  • Love

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Sadness

Dominant emotion: Hope

Dominant emotion: Humor

Dominant emotion: Love

Dominant emotion: Joy

Joy
Hope
Love
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 3 %, then dips around 18 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityJoyHopeLove
2.5 %≈ 3′Sadness47 %13 %12 %12 %
7.5 %≈ 8′Sadness48 %15 %23 %13 %
12.5 %≈ 14′Sadness45 %23 %32 %10 %
17.5 %≈ 20′Hope43 %24 %31 %6 %
22.5 %≈ 25′Sadness44 %16 %25 %6 %
27.5 %≈ 31′Humor45 %15 %23 %10 %
32.5 %≈ 37′Humor48 %18 %20 %15 %
37.5 %≈ 42′Sadness53 %20 %26 %20 %
42.5 %≈ 48′Hope51 %25 %38 %21 %
47.5 %≈ 54′Humor45 %29 %34 %21 %
52.5 %≈ 59′Humor48 %35 %31 %34 %
57.5 %≈ 65′Love56 %45 %36 %48 %
62.5 %≈ 71′Joy57 %48 %34 %43 %
67.5 %≈ 76′Humor53 %43 %28 %36 %
72.5 %≈ 82′Joy53 %34 %21 %35 %
77.5 %≈ 88′Sadness55 %21 %21 %26 %
82.5 %≈ 93′Sadness56 %28 %35 %30 %
87.5 %≈ 99′Joy63 %50 %51 %48 %
92.5 %≈ 105′Hope68 %60 %60 %53 %
97.5 %≈ 110′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Rags to riches

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

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Cast

Diane Lane

Frances

Lindsay Duncan

Katherine

Raoul Bova

Marcello

PS
Pawel Szajda

Pawel

RN
Roberto Nobile

Placido

AZ
Anita Zagaria

Fiorella

EG
Evelina Gori

Nona Cardinale

Kate Walsh

Grace

VP
Valentine Pelka

Jerzy

SV
Saša Vulićević

Zbignew

Claudia Gerini

Signora Raguzzi

MM
Mario Monicelli

Old Man with Flowers

GR
Geoffrey Rivas

Head Mover

SK
Sean Kaplan

Seat Mate

NS
Nuccio Siano

Gianni

Details

Directed by
Audrey Wells
Written by
Audrey Wells, Frances Mayes
Type
Movies
Released
2003
Runtime
113 min
Country
United States, Italy
Ratings
★ IMDb 6.8 · 66,191 ratings
Feels mostly
Hope
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.