The Statement
2003 · 120 min · Director: Norman Jewison
Show plot summary (may contain spoilers)
1992. The French government has passed a law punishing crimes against humanity allowing them to prosecute Nazi collaborators from WWII. Magistrate Annemarie Livi has been assigned the case of Pierre Brossard, a police officer in Dombey, France in June, 1944, when he helped round up a group of Jewish persons and personally chose seven of them to be executed. Brossard was captured and held in police custody in 1955 following a trial where he was sentenced to death for being a collaborator, before he was able to escape. Brossard has since received a Presidential pardon for those crimes. Livi enlists the help of Colonel Roux of the French Army to assist in this case in she not trusting the police who assisted the Vichy regime during the war. While Roux informs her that he is aware of an unknown Jewish organization that is also tracking and wanting to execute Brossard, Livi knows that the pardon was arranged by someone who must have been an associate of Brossard - who she refers to as "The Old Man" - now probably high up in the government. They are also both aware that the Catholic church has actively been assisting Brossard all these years, probably in providing him both with funds and shelter, them being able to break through the closed ranks of the church a major hurdle they will have to overcome. Livi is further given a warning by a close family friend, Armand Bertier, a government minster, that she is walking into a land mine of a case. Brossard, who is aware that he is being tracked both by the Jewish and by the national authorities, is indeed what he considers a devout Catholic in the realm of the traditionalists, he, who trying to stay one step ahead of those tracking him, looking for absolution from the church, while not prepared to give himself up to either the Jewish or the authorities. The Jewish have their own additional motive beyond killing Brossard for his crimes, while those pulling their strings have one more additional motive in protecting themselves.
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Emotional fingerprint
The Statement (2003) — Movie. Top emotional signals: Anxiety 30%, Anger 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Anger, Fear. Genres: Thriller, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Anger and Fear. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Disturbing
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Anger
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Disturbing | 72 % | 65 % | 22 % | 58 % |
| 7.5 % | ≈ 9′ | Curiosity | 57 % | 50 % | 33 % | 32 % |
| 12.5 % | ≈ 15′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 17.5 % | ≈ 21′ | Curiosity | 57 % | 43 % | 58 % | 30 % |
| 22.5 % | ≈ 27′ | Tension | 62 % | 55 % | 54 % | 39 % |
| 27.5 % | ≈ 33′ | Tension | 62 % | 55 % | 50 % | 44 % |
| 32.5 % | ≈ 39′ | Curiosity | 57 % | 41 % | 53 % | 38 % |
| 37.5 % | ≈ 45′ | Curiosity | 56 % | 43 % | 56 % | 30 % |
| 42.5 % | ≈ 51′ | Curiosity | 56 % | 51 % | 53 % | 25 % |
| 47.5 % | ≈ 57′ | Tension | 51 % | 48 % | 41 % | 25 % |
| 52.5 % | ≈ 63′ | Anger | 53 % | 46 % | 39 % | 30 % |
| 57.5 % | ≈ 69′ | Tension | 60 % | 56 % | 50 % | 32 % |
| 62.5 % | ≈ 75′ | Curiosity | 61 % | 60 % | 59 % | 30 % |
| 67.5 % | ≈ 81′ | Curiosity | 59 % | 57 % | 54 % | 24 % |
| 72.5 % | ≈ 87′ | Tension | 61 % | 60 % | 46 % | 31 % |
| 77.5 % | ≈ 93′ | Disturbing | 65 % | 60 % | 51 % | 41 % |
| 82.5 % | ≈ 99′ | Curiosity | 65 % | 61 % | 56 % | 29 % |
| 87.5 % | ≈ 105′ | Tension | 70 % | 68 % | 54 % | 31 % |
| 92.5 % | ≈ 111′ | Disturbing | 74 % | 68 % | 55 % | 53 % |
| 97.5 % | ≈ 117′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Details
- Directed by
- Norman Jewison
- Written by
- Brian Moore, Ronald Harwood
- Type
- Movies
- Released
- 2003
- Runtime
- 120 min
- Country
- Canada, France, United Kingdom
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
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