Eloise at the Plaza
2003 · 89 min · Director: Kevin Lima, Kevin Lima
Show plot summary (may contain spoilers)
Eloise is an imaginative little girl living in New York City with her nanny, going on various adventures.
Emotional fingerprint
Eloise at the Plaza (2003) — Movie. Top emotional signals: Smile 35%, Humor 25%, Joy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Smile, Humor, Joy. Genres: Comedy, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Smile, Humor and Joy. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Humor
- Joy
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Joy
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Joy | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 43 % | 43 % | 25 % | 5 % |
| 7.5 % | ≈ 7′ | Humor | 46 % | 46 % | 27 % | 6 % |
| 12.5 % | ≈ 11′ | Humor | 46 % | 46 % | 24 % | 10 % |
| 17.5 % | ≈ 16′ | Humor | 45 % | 41 % | 23 % | 19 % |
| 22.5 % | ≈ 20′ | Joy | 45 % | 38 % | 26 % | 24 % |
| 27.5 % | ≈ 24′ | Humor | 45 % | 40 % | 28 % | 19 % |
| 32.5 % | ≈ 29′ | Humor | 48 % | 45 % | 28 % | 15 % |
| 37.5 % | ≈ 33′ | Humor | 53 % | 50 % | 25 % | 21 % |
| 42.5 % | ≈ 38′ | Humor | 54 % | 49 % | 26 % | 30 % |
| 47.5 % | ≈ 42′ | Joy | 54 % | 38 % | 31 % | 36 % |
| 52.5 % | ≈ 47′ | Empathy | 56 % | 34 % | 29 % | 39 % |
| 57.5 % | ≈ 51′ | Humor | 55 % | 43 % | 24 % | 27 % |
| 62.5 % | ≈ 56′ | Humor | 53 % | 46 % | 23 % | 19 % |
| 67.5 % | ≈ 60′ | Humor | 54 % | 45 % | 20 % | 28 % |
| 72.5 % | ≈ 65′ | Empathy | 60 % | 38 % | 16 % | 49 % |
| 77.5 % | ≈ 69′ | Empathy | 71 % | 28 % | 23 % | 70 % |
| 82.5 % | ≈ 73′ | Empathy | 75 % | 26 % | 38 % | 73 % |
| 87.5 % | ≈ 78′ | Joy | 69 % | 29 % | 50 % | 58 % |
| 92.5 % | ≈ 82′ | Joy | 58 % | 26 % | 51 % | 36 % |
| 97.5 % | ≈ 87′ | Joy | 45 % | 18 % | 43 % | 20 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Eloise at the Plaza. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Leon
Bill the Room Service Deliveryman
Molly Daniels
Mr. Toyama the Attaché
Walter the Concierge
Details
- Directed by
- Kevin Lima, Kevin Lima
- Written by
- Kay Thompson, Hilary Knight, Janet Brownell
- Type
- Movies
- Released
- 2003
- Runtime
- 89 min
- Country
- United Kingdom, United States
- Ratings
- Feels mostly
- Smile
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
