A Home at the End of the World
2004 · 96 min · Director: Michael Mayer
Show plot summary (may contain spoilers)
From the Pulitzer Prize-winning author of "The Hours" comes a story that chronicles a dozen years in the lives of two best friends who couldn't be more different. From suburban Cleveland in the 60s, to New York City in the 80s, where they meet an older woman, the film charts a journey of trials, triumphs, loves and losses. Now the question is: can they navigate the unusual triangle they've created and hold their friendship together?
Emotional fingerprint
A Home at the End of the World (2004) — Movie. Top emotional signals: Empathy 30%, Love 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Love25%
- Sadness20%
- Hope15%
- Melancholy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Love, Sadness. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Love and Sadness. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Love
- Sadness
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Sadness | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Love | 50 % | 30 % | 12 % | 25 % |
| 7.5 % | ≈ 7′ | Tension | 51 % | 25 % | 18 % | 30 % |
| 12.5 % | ≈ 12′ | Humor | 48 % | 28 % | 23 % | 35 % |
| 17.5 % | ≈ 17′ | Love | 52 % | 34 % | 38 % | 45 % |
| 22.5 % | ≈ 22′ | Sadness | 61 % | 33 % | 51 % | 54 % |
| 27.5 % | ≈ 26′ | Empathy | 59 % | 35 % | 41 % | 49 % |
| 32.5 % | ≈ 31′ | Love | 51 % | 40 % | 24 % | 36 % |
| 37.5 % | ≈ 36′ | Humor | 44 % | 36 % | 15 % | 30 % |
| 42.5 % | ≈ 41′ | Love | 45 % | 39 % | 16 % | 36 % |
| 47.5 % | ≈ 46′ | Love | 54 % | 49 % | 28 % | 45 % |
| 52.5 % | ≈ 50′ | Love | 58 % | 53 % | 35 % | 49 % |
| 57.5 % | ≈ 55′ | Love | 61 % | 50 % | 41 % | 55 % |
| 62.5 % | ≈ 60′ | Sadness | 65 % | 49 % | 41 % | 54 % |
| 67.5 % | ≈ 65′ | Love | 60 % | 51 % | 26 % | 43 % |
| 72.5 % | ≈ 70′ | Love | 57 % | 49 % | 31 % | 46 % |
| 77.5 % | ≈ 74′ | Sadness | 63 % | 46 % | 46 % | 57 % |
| 82.5 % | ≈ 79′ | Love | 68 % | 51 % | 51 % | 61 % |
| 87.5 % | ≈ 84′ | Sadness | 74 % | 60 % | 64 % | 65 % |
| 92.5 % | ≈ 89′ | Love | 77 % | 67 % | 72 % | 67 % |
| 97.5 % | ≈ 94′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about A Home at the End of the World. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Bobby Morrow (1974)
Jonathan Glover (1974)
Bobby Morrow (1967)
Emily
Details
- Directed by
- Michael Mayer
- Written by
- Michael Cunningham
- Type
- Movies
- Released
- 2004
- Runtime
- 96 min
- Country
- United States
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
