The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
2005 · 143 min · Director: Andrew Adamson
Show plot summary (may contain spoilers)
Four children from the same family have to leave their town because of the bombings of WWII. A woman and a professor take the children to their house. While playing a game of hide-and-seek, the youngest member of the family, Lucy, finds a wardrobe to hide in. She travels back and back into the wardrobe and finds a place named Narnia. After going in twice, the four children go in together for the last time. They battle wolves, meet talking animals, encounter an evil white witch and meet a magnificent lion named Aslan. Will this be the end of their journey to Narnia or will they stay?
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Emotional fingerprint
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) — Movie. Top emotional signals: Awe 30%, Excitement 25%, Hope 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Awe30%
- Excitement25%
- Hope20%
- Empathy15%
- Anxiety10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Awe, Excitement, Hope. Genres: Fantasy, Adventure, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Awe, Excitement and Hope. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Relief
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Hope
Dominant emotion: Relief
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Relief | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Tension | 57 % | 48 % | 12 % | 42 % |
| 7.5 % | ≈ 11′ | Curiosity | 46 % | 27 % | 10 % | 24 % |
| 12.5 % | ≈ 18′ | Curiosity | 51 % | 26 % | 18 % | 16 % |
| 17.5 % | ≈ 25′ | Tension | 59 % | 44 % | 24 % | 20 % |
| 22.5 % | ≈ 32′ | Curiosity | 51 % | 40 % | 16 % | 16 % |
| 27.5 % | ≈ 39′ | Curiosity | 46 % | 30 % | 11 % | 18 % |
| 32.5 % | ≈ 46′ | Curiosity | 56 % | 44 % | 11 % | 24 % |
| 37.5 % | ≈ 54′ | Tension | 71 % | 68 % | 8 % | 28 % |
| 42.5 % | ≈ 61′ | Tension | 75 % | 73 % | 15 % | 31 % |
| 47.5 % | ≈ 68′ | Hope | 73 % | 68 % | 31 % | 28 % |
| 52.5 % | ≈ 75′ | Tension | 71 % | 68 % | 31 % | 21 % |
| 57.5 % | ≈ 82′ | Hope | 66 % | 63 % | 31 % | 18 % |
| 62.5 % | ≈ 89′ | Relief | 69 % | 65 % | 38 % | 21 % |
| 67.5 % | ≈ 97′ | Tension | 81 % | 75 % | 24 % | 48 % |
| 72.5 % | ≈ 104′ | Sadness | 88 % | 78 % | 10 % | 66 % |
| 77.5 % | ≈ 111′ | Tension | 86 % | 79 % | 26 % | 45 % |
| 82.5 % | ≈ 118′ | Relief | 85 % | 68 % | 57 % | 19 % |
| 87.5 % | ≈ 125′ | Relief | 76 % | 38 % | 60 % | 15 % |
| 92.5 % | ≈ 132′ | Curiosity | 62 % | 15 % | 37 % | 18 % |
| 97.5 % | ≈ 139′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Edmund Pevensie
Helen Pevensie
General Oreius
General Otmin
Boy on Train
Girl on Train
Train Conductor
Details
- Directed by
- Andrew Adamson
- Written by
- Andrew Adamson, Christopher Markus, Stephen McFeely, Ann Peacock
- Type
- Movies
- Released
- 2005
- Runtime
- 143 min
- Country
- United Kingdom, United States
- Ratings
- Feels mostly
- Awe
- Data updated
Where to watch
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





