Collateral
2004 · 120 min · Director: Michael Mann
Show plot summary (may contain spoilers)
This action thriller follows LA cabbie Max Durocher, the type of person who can wax poetic about other people's lives, which impresses U.S. Justice Department prosecutor Annie Farrell, one of his fares, so much that she gives him her telephone number at the end of her ride. Although a dedicated man as seen through the efficiency in which he does his work, he can't or won't translate that eloquence into a better life for himself. He deludes himself into believing that his now twelve year cabbie job is temporary and that someday he will own his own limousine service. He even lies to his hospitalized mother that he already owns one, with a further lie that he tells her as such primarily to make her happy, rather than the truth which is that he won't do anything to achieve that dream. One night, Max picks up a well dressed man named Vincent, who asks Max to be his only fare for the evening. For a flat fee of $600, plus an extra $100 if he gets to the airport on time - Vincent wants Max to drive him to five stops that evening. Max somewhat reluctantly agrees. Max learns the hard way at their first stop when a body falls from a third story apartment window and lands dead on top of his cab that Vincent is a contract hit man. Vincent's main goal, as per his current contract, is to kill five people, one at each of the stops, but he will not let others get in the way of that goal, even if it means killing them, including Max. As Vincent forces Max to continue driving him for the evening, Max tries slyly at every turn to take back control of his life from Vincent, especially when Max learns of one of the names on Vincent's hit list. Meanwhile, LAPD narcotics detective, Ray Fanning, and ultimately the FBI get involved when Vincent's first victim is associated with a case in which Ray is working undercover. Ray is able to piece together information which makes him hot on Max and Vincent's tail.
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Emotional fingerprint
Collateral (2004) — Movie. Top emotional signals: Tension 30%, Anxiety 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension30%
- Anxiety25%
- Excitement20%
- Disturbing15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Anxiety, Excitement. Genres: Drama, Crime, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Anxiety and Excitement. Its IMDb rating of 7.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Fear
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Fear | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 28 % | 15 % | 0 % | 16 % |
| 7.5 % | ≈ 9′ | Empathy | 35 % | 15 % | 2 % | 22 % |
| 12.5 % | ≈ 15′ | Curiosity | 51 % | 36 % | 20 % | 26 % |
| 17.5 % | ≈ 21′ | Tension | 73 % | 68 % | 47 % | 33 % |
| 22.5 % | ≈ 27′ | Tension | 76 % | 74 % | 50 % | 34 % |
| 27.5 % | ≈ 33′ | Tension | 64 % | 62 % | 37 % | 26 % |
| 32.5 % | ≈ 39′ | Tension | 59 % | 56 % | 33 % | 23 % |
| 37.5 % | ≈ 45′ | Tension | 58 % | 54 % | 29 % | 29 % |
| 42.5 % | ≈ 51′ | Tension | 57 % | 51 % | 24 % | 34 % |
| 47.5 % | ≈ 57′ | Tension | 60 % | 56 % | 28 % | 33 % |
| 52.5 % | ≈ 63′ | Tension | 69 % | 67 % | 42 % | 31 % |
| 57.5 % | ≈ 69′ | Tension | 74 % | 73 % | 47 % | 28 % |
| 62.5 % | ≈ 75′ | Tension | 77 % | 76 % | 51 % | 29 % |
| 67.5 % | ≈ 81′ | Tension | 82 % | 80 % | 59 % | 37 % |
| 72.5 % | ≈ 87′ | Tension | 81 % | 77 % | 55 % | 42 % |
| 77.5 % | ≈ 93′ | Tension | 81 % | 78 % | 53 % | 44 % |
| 82.5 % | ≈ 99′ | Tension | 83 % | 82 % | 61 % | 45 % |
| 87.5 % | ≈ 105′ | Tension | 81 % | 80 % | 62 % | 43 % |
| 92.5 % | ≈ 111′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 117′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Zee
Morgue Attendant
FBI Agent
FBI Agent
Fever Bouncer
Cell Phone Partier
Details
- Directed by
- Michael Mann
- Written by
- Michael Mann, Frank Darabont, Stuart Beattie
- Type
- Movies
- Released
- 2004
- Runtime
- 120 min
- Country
- United States
- Ratings
- Feels mostly
- Tension
- Data updated
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