Look at Me
2004 · 110 min · Director: Agnès Jaoui
Show plot summary (may contain spoilers)
Lolita, plump, in her 20s, desperately wants her father's attention. He's egotistical, a famous writer and publisher with an attractive wife little older than Lolita. She's in a choir, rehearsing for a concert; she's given her father a tape, which he's yet to listen to. Sylvia, a voice coach, is willing to help the group, knowing she'll have a chance to get her husband's new novel in front of Lolita's father. For Lolita, this is a pattern: people pay attention to her to gain access to him, something she fears is the intent of Sébastien, a struggling journalist who may become her boyfriend. The night of the concert, the music may bring out everyone's feelings.
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Emotional fingerprint
Look at Me (2004) — Movie. Top emotional signals: Empathy 30%, Anxiety 25%, Confusion 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Anxiety, Confusion. Genres: Comedy, Drama, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Anxiety and Confusion. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 33 % | 15 % | 8 % | 27 % |
| 7.5 % | ≈ 8′ | Humor | 33 % | 18 % | 11 % | 25 % |
| 12.5 % | ≈ 14′ | Humor | 36 % | 27 % | 16 % | 23 % |
| 17.5 % | ≈ 19′ | Empathy | 42 % | 38 % | 24 % | 23 % |
| 22.5 % | ≈ 25′ | Hope | 42 % | 39 % | 23 % | 21 % |
| 27.5 % | ≈ 30′ | Empathy | 44 % | 41 % | 25 % | 28 % |
| 32.5 % | ≈ 36′ | Empathy | 47 % | 41 % | 30 % | 38 % |
| 37.5 % | ≈ 41′ | Tension | 44 % | 33 % | 25 % | 39 % |
| 42.5 % | ≈ 47′ | Humor | 40 % | 31 % | 25 % | 32 % |
| 47.5 % | ≈ 52′ | Humor | 41 % | 36 % | 30 % | 29 % |
| 52.5 % | ≈ 58′ | Sadness | 44 % | 41 % | 33 % | 31 % |
| 57.5 % | ≈ 63′ | Empathy | 49 % | 47 % | 36 % | 36 % |
| 62.5 % | ≈ 69′ | Empathy | 51 % | 46 % | 36 % | 40 % |
| 67.5 % | ≈ 74′ | Humor | 49 % | 41 % | 31 % | 39 % |
| 72.5 % | ≈ 80′ | Empathy | 53 % | 47 % | 32 % | 46 % |
| 77.5 % | ≈ 85′ | Tension | 61 % | 53 % | 27 % | 47 % |
| 82.5 % | ≈ 91′ | Hope | 65 % | 54 % | 29 % | 35 % |
| 87.5 % | ≈ 96′ | Sadness | 68 % | 61 % | 48 % | 44 % |
| 92.5 % | ≈ 102′ | Tension | 69 % | 63 % | 55 % | 60 % |
| 97.5 % | ≈ 107′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Karine Cassard
Sébastien
Le chauffeur de taxi
Le videur
Details
- Directed by
- Agnès Jaoui
- Written by
- Jean-Pierre Bacri, Agnès Jaoui, Jean-Pierre Bacri
- Type
- Movies
- Released
- 2004
- Runtime
- 110 min
- Country
- France, Italy
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





