A Good Woman
2004 · 93 min · Director: Mike Barker
Show plot summary (may contain spoilers)
In 1930, Mrs. Erlynne (Helen Hunt), who describes herself as poor and infamous, driven from New York City society by jealous wives, sees a news photo of wealthy Lord Windermere (Mark Umbers) and his young wife (Scarlett Johansson). She heads for the Amalfi Coast to be amongst the rich and famous for "the season" and to snare Mr. Windermere. Gossips twitter as he spends his afternoons with her, his wife blissfully innocent as she blushingly fends off attentions from a young English nobleman, an international playboy who thinks he's in love. Mrs. Erlynne is also pursued by a worldly-wise older English nobleman. Mrs. Windermere's twentieth birthday party approaches, where all plays out amidst numerous amoral Wildean aphorisms.
Emotional fingerprint
A Good Woman (2004) — Movie. Top emotional signals: Humor 25%, Love 20%, Satisfaction 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Satisfaction. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Satisfaction. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sympathy
- Tension
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sympathy | Tension | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 40 % | 20 % | 15 % | 10 % |
| 7.5 % | ≈ 7′ | Humor | 42 % | 15 % | 14 % | 7 % |
| 12.5 % | ≈ 12′ | Humor | 41 % | 17 % | 18 % | 9 % |
| 17.5 % | ≈ 16′ | Humor | 41 % | 25 % | 29 % | 13 % |
| 22.5 % | ≈ 21′ | Tension | 44 % | 30 % | 39 % | 16 % |
| 27.5 % | ≈ 26′ | Tension | 46 % | 31 % | 43 % | 18 % |
| 32.5 % | ≈ 30′ | Tension | 44 % | 29 % | 37 % | 16 % |
| 37.5 % | ≈ 35′ | Humor | 43 % | 28 % | 28 % | 13 % |
| 42.5 % | ≈ 40′ | Humor | 46 % | 33 % | 32 % | 20 % |
| 47.5 % | ≈ 44′ | Sympathy | 54 % | 44 % | 47 % | 35 % |
| 52.5 % | ≈ 49′ | Tension | 58 % | 49 % | 53 % | 40 % |
| 57.5 % | ≈ 53′ | Sympathy | 57 % | 46 % | 52 % | 36 % |
| 62.5 % | ≈ 58′ | Tension | 63 % | 51 % | 60 % | 42 % |
| 67.5 % | ≈ 63′ | Sadness | 69 % | 56 % | 66 % | 49 % |
| 72.5 % | ≈ 67′ | Tension | 69 % | 55 % | 66 % | 43 % |
| 77.5 % | ≈ 72′ | Tension | 71 % | 59 % | 63 % | 45 % |
| 82.5 % | ≈ 77′ | Sympathy | 71 % | 60 % | 45 % | 44 % |
| 87.5 % | ≈ 81′ | Relief | 68 % | 50 % | 23 % | 30 % |
| 92.5 % | ≈ 86′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 91′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about A Good Woman. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Robert Windemere
Mrs. Stutfield
Alessandra
Francesca
Waiter Joe
Hotel Desk Clerk
Paulo
Giuseppina, Glove Shop Girl
Old Man
Dress Shop Salesgirl
Dress Shop Owner
Details
- Directed by
- Mike Barker
- Written by
- Oscar Wilde, Howard Himelstein
- Type
- Movies
- Released
- 2004
- Runtime
- 93 min
- Country
- United Kingdom, Italy, Spain, Luxembourg, United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
