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Capote

2005 · 114 min · Director: Bennett Miller ★ IMDb 7.3 · 150,915 ratings

Show plot summary (may contain spoilers)

Famed writer Truman Capote, southern born and bred but now part of the New York City social circle, is growing weary of his current assignment of writing autobiographical type pieces for the New Yorker. After reading a newspaper article about the just occurred November 14, 1959 cold blooded murders of the Clutter family in their rural Kansas home, Truman feels compelled to write about that event as his next article. So he and his personal assistant Nelle Harper Lee, also a southern born New Yorker and an aspiring writer of her own, head to Kansas to research the story first-hand. Truman hopes to use his celebrity status to gain access to whomever he needs, such as to Laura Kinney, a friend of the Clutter daughter she who discovered the bodies, and to Alvin Dewey, the lead police investigator and also a Clutter family friend. If his celebrity doesn't work, Truman will grease the wheels by whatever means necessary. When the police eventually charge suspects, two young men named Dick Hickcock and Perry Smith, Truman uses those same tactics to gain access to them. Truman's fascination with the story makes him believe that he can revolutionize writing by expanding the germ of the article into what he calls a non-fiction novel. His personal involvement also changes as he grows emotionally attached to Perry, the seemingly sensitive and thus probable submissive in the criminal pairing, thus Truman becoming part of the story itself. Article or non-fiction novel, Truman knows that he has to take it to its natural conclusion, something which he cannot force. But also missing are the details of the November 14, 1959 event itself, something that neither Dick or Perry have divulged even in testimony.

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Emotional fingerprint

Capote (2005) — Movie. Top emotional signals: Satisfaction 25%, Confusion 22%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Satisfaction, Confusion, Anxiety. Genres: Drama, Crime, Biography. AI estimate.

Is it worth watching?

Consider this title if you are looking for Satisfaction, Confusion and Anxiety. Its IMDb rating of 7.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.

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Emotional journey

AI · from subtitles
  • Sadness
  • Tension
  • Empathy

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Sadness

Dominant emotion: Curiosity

Dominant emotion: Disturbing

Dominant emotion: Tension

Sadness
Tension
Empathy
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 73 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensitySadnessTensionEmpathy
2.5 %≈ 3′Sadness33 %18 %15 %12 %
7.5 %≈ 9′Curiosity40 %23 %20 %20 %
12.5 %≈ 14′Sadness49 %33 %26 %34 %
17.5 %≈ 20′Disturbing50 %30 %28 %32 %
22.5 %≈ 26′Curiosity43 %19 %28 %25 %
27.5 %≈ 31′Curiosity44 %25 %35 %34 %
32.5 %≈ 37′Sadness53 %38 %44 %41 %
37.5 %≈ 43′Disturbing58 %43 %39 %44 %
42.5 %≈ 48′Sadness58 %46 %34 %49 %
47.5 %≈ 54′Disturbing53 %39 %38 %41 %
52.5 %≈ 60′Curiosity51 %33 %44 %34 %
57.5 %≈ 66′Disturbing56 %38 %49 %35 %
62.5 %≈ 71′Tension54 %40 %46 %35 %
67.5 %≈ 77′Sadness55 %41 %48 %38 %
72.5 %≈ 83′Disturbing68 %49 %56 %46 %
77.5 %≈ 88′Disturbing75 %57 %59 %53 %
82.5 %≈ 94′Tension74 %63 %63 %55 %
87.5 %≈ 100′Sadness82 %74 %74 %68 %
92.5 %≈ 105′Sadness90 %83 %82 %78 %
97.5 %≈ 111′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

Philip Seymour Hoffman

Truman Capote

Bruce Greenwood

Jack Dunphy

Bob Balaban

William Shawn

Mark Pellegrino

Dick Hickock

Marshall Bell

Warden Marshall Krutch

Amy Ryan

Marie Dewey

BM
Bess Meyer

Linda Murchak

Chris Cooper

Alvin Dewey

AM
Allie Mickelson

Laura Kinney

CA
Craig Archibald

Christopher

BC
Bronwen Coleman

Barbara

KS
Kate Shindle

Rose

MJ
Michael J. Burg

Williams

KA
Kwesi Ameyaw

Porter

AF
Andrew Farago

Car Rental Agent

KS
Kelci Stephenson

Nancy Clutter

C. Ernst Harth

Lowell Lee Andrews

Details

Directed by
Bennett Miller
Written by
Dan Futterman, Gerald Clarke
Type
Movies
Released
2005
Runtime
114 min
Country
United States, Canada
Ratings
★ IMDb 7.3 · 150,915 ratings
Feels mostly
Satisfaction
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.