The Long Weekend
2005 · 85 min · Director: Pat Holden
Show plot summary (may contain spoilers)
Cooper and Ed are brothers: Coop acts in ads and soaps, spending his real energy chasing women for one-night stands. His younger brother Ed, an earnest young man, works in an ad agency. For the past year, since finding his girlfriend in bed with another man with a video camera running, Ed has been in a funk: he's carried a torch, his social life has tanked, and his work has suffered. Ed will be fired on Monday unless he can save a major account. It's his birthday weekend: he wants to work, but Cooper wants Ed to rediscover his sex life. Cooper works hard to help Ed score, but disaster piles onto disaster. Can a decent guy save his job and get a life?
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Emotional fingerprint
The Long Weekend (2005) — Movie. Top emotional signals: Humor 35%, Empathy 25%, Sadness 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Empathy25%
- Sadness15%
- Excitement15%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Sadness. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Sadness. Its IMDb rating of 5.2/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 56/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Sympathy
- Disgust
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Disgust
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Sympathy | Disgust |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 60 % | 50 % | 23 % | 18 % |
| 7.5 % | ≈ 6′ | Sympathy | 57 % | 40 % | 38 % | 14 % |
| 12.5 % | ≈ 11′ | Humor | 56 % | 40 % | 40 % | 18 % |
| 17.5 % | ≈ 15′ | Humor | 55 % | 48 % | 29 % | 26 % |
| 22.5 % | ≈ 19′ | Humor | 57 % | 53 % | 20 % | 34 % |
| 27.5 % | ≈ 23′ | Disgust | 61 % | 55 % | 21 % | 43 % |
| 32.5 % | ≈ 28′ | Humor | 58 % | 54 % | 24 % | 35 % |
| 37.5 % | ≈ 32′ | Humor | 57 % | 51 % | 28 % | 25 % |
| 42.5 % | ≈ 36′ | Sympathy | 60 % | 51 % | 32 % | 24 % |
| 47.5 % | ≈ 40′ | Humor | 59 % | 54 % | 26 % | 20 % |
| 52.5 % | ≈ 45′ | Humor | 56 % | 51 % | 24 % | 15 % |
| 57.5 % | ≈ 49′ | Humor | 57 % | 49 % | 30 % | 19 % |
| 62.5 % | ≈ 53′ | Humor | 61 % | 48 % | 40 % | 25 % |
| 67.5 % | ≈ 57′ | Sympathy | 62 % | 39 % | 48 % | 20 % |
| 72.5 % | ≈ 62′ | Hope | 58 % | 35 % | 39 % | 13 % |
| 77.5 % | ≈ 66′ | Hope | 59 % | 40 % | 26 % | 8 % |
| 82.5 % | ≈ 70′ | Hope | 63 % | 46 % | 19 % | 8 % |
| 87.5 % | ≈ 74′ | Humor | 63 % | 54 % | 11 % | 18 % |
| 92.5 % | ≈ 79′ | Humor | 59 % | 57 % | 7 % | 28 % |
| 97.5 % | ≈ 83′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Jo
Cathy
Jack
Ed's Mother
Ed's Father
Attractive Woman #2
Attractive Single Mother #1
Attractive Single Mother #2
Details
- Directed by
- Pat Holden
- Written by
- Tad Safran
- Type
- Movies
- Released
- 2005
- Runtime
- 85 min
- Country
- Canada, United Kingdom, United States
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





