Maria Full of Grace
2004 · 101 min · Director: Joshua Marston
Show plot summary (may contain spoilers)
María Álvarez, an independent, feisty, and underpaid seventeen-year-old Colombian rose packager is stuck in a tedious life and a dead-end relationship with her good-for-nothing boyfriend, Juan. And as if things weren't bad enough, an unexpected pregnancy and an ugly altercation with her unfair boss will tempt María to accept the risky offer to become a drug mule, smuggling drugs from Bogotá to New York City. But, as things rapidly spiral out of control, suddenly, the option of an early retirement and a peaceful future for both María and her unborn baby begins to fade away. Is there a way out from this hopeless predicament?
Emotional fingerprint
Maria Full of Grace (2004) — Movie. Top emotional signals: Empathy 35%, Anxiety 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy35%
- Anxiety25%
- Sadness20%
- Inspiration10%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Anxiety, Sadness. Genres: Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Anxiety and Sadness. Its IMDb rating of 7.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Empathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Empathy
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Empathy | 30 % | 25 % | 24 % | 15 % |
| 7.5 % | ≈ 8′ | Empathy | 36 % | 30 % | 30 % | 17 % |
| 12.5 % | ≈ 13′ | Hope | 41 % | 34 % | 34 % | 21 % |
| 17.5 % | ≈ 18′ | Empathy | 42 % | 36 % | 34 % | 21 % |
| 22.5 % | ≈ 23′ | Hope | 42 % | 38 % | 28 % | 12 % |
| 27.5 % | ≈ 28′ | Tension | 51 % | 48 % | 30 % | 11 % |
| 32.5 % | ≈ 33′ | Tension | 56 % | 52 % | 37 % | 16 % |
| 37.5 % | ≈ 38′ | Tension | 60 % | 56 % | 40 % | 15 % |
| 42.5 % | ≈ 43′ | Tension | 69 % | 66 % | 42 % | 13 % |
| 47.5 % | ≈ 48′ | Tension | 71 % | 69 % | 41 % | 12 % |
| 52.5 % | ≈ 53′ | Tension | 74 % | 72 % | 43 % | 14 % |
| 57.5 % | ≈ 58′ | Tension | 80 % | 78 % | 49 % | 20 % |
| 62.5 % | ≈ 63′ | Tension | 78 % | 75 % | 51 % | 27 % |
| 67.5 % | ≈ 68′ | Tension | 67 % | 59 % | 53 % | 32 % |
| 72.5 % | ≈ 73′ | Empathy | 57 % | 45 % | 52 % | 32 % |
| 77.5 % | ≈ 78′ | Tension | 61 % | 41 % | 54 % | 40 % |
| 82.5 % | ≈ 83′ | Sadness | 74 % | 40 % | 65 % | 62 % |
| 87.5 % | ≈ 88′ | Sadness | 79 % | 48 % | 72 % | 74 % |
| 92.5 % | ≈ 93′ | Sadness | 79 % | 55 % | 73 % | 75 % |
| 97.5 % | ≈ 98′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Blanca
Franklin
Carla
Juana
Supervisor
Felipe
Juan
Diana Álvarez
Pacho
Pacho
Rosita
Female Pharmacist
Javier
Pellet Maker
Pharmacist
Stewardess
Carolina
Constanza
Details
- Directed by
- Joshua Marston
- Written by
- Joshua Marston
- Type
- Movies
- Released
- 2004
- Runtime
- 101 min
- Country
- Colombia, Ecuador, United States
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
