Hawking
2004 · 90 min · Director: Philip Martin
Show plot summary (may contain spoilers)
A drama documenting the life and work of the theoretical physicist Professor Stephen Hawking who, despite being diagnosed with motor neurone disease at the age of 21, has galvanized the scientific world with his ground-breaking work on the nature of the universe. Starring Benedict Cumberbatch (Sherlock)
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Emotional fingerprint
Hawking (2004) — Movie. Top emotional signals: Empathy 30%, Sadness 25%, Inspiration 22%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Sadness25%
- Inspiration22%
- Awe13%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Sadness, Inspiration. Genres: Drama, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Sadness and Inspiration. Its IMDb rating of 7.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Awe
- Inspiration
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Awe
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Inspiration
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Awe | Inspiration | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 42 % | 23 % | 10 % | 42 % |
| 7.5 % | ≈ 7′ | Awe | 44 % | 29 % | 9 % | 39 % |
| 12.5 % | ≈ 11′ | Curiosity | 55 % | 24 % | 5 % | 38 % |
| 17.5 % | ≈ 16′ | Sadness | 75 % | 18 % | 6 % | 33 % |
| 22.5 % | ≈ 20′ | Sadness | 74 % | 18 % | 19 % | 29 % |
| 27.5 % | ≈ 25′ | Curiosity | 54 % | 19 % | 30 % | 38 % |
| 32.5 % | ≈ 29′ | Curiosity | 46 % | 24 % | 29 % | 45 % |
| 37.5 % | ≈ 34′ | Curiosity | 48 % | 28 % | 24 % | 45 % |
| 42.5 % | ≈ 38′ | Curiosity | 49 % | 26 % | 21 % | 45 % |
| 47.5 % | ≈ 43′ | Humor | 44 % | 20 % | 15 % | 39 % |
| 52.5 % | ≈ 47′ | Curiosity | 40 % | 11 % | 19 % | 34 % |
| 57.5 % | ≈ 52′ | Inspiration | 46 % | 9 % | 31 % | 38 % |
| 62.5 % | ≈ 56′ | Humor | 51 % | 20 % | 30 % | 41 % |
| 67.5 % | ≈ 61′ | Awe | 61 % | 31 % | 24 % | 40 % |
| 72.5 % | ≈ 65′ | Sadness | 73 % | 33 % | 29 % | 43 % |
| 77.5 % | ≈ 70′ | Curiosity | 74 % | 43 % | 44 % | 59 % |
| 82.5 % | ≈ 74′ | Curiosity | 74 % | 55 % | 57 % | 65 % |
| 87.5 % | ≈ 79′ | Inspiration | 80 % | 65 % | 70 % | 55 % |
| 92.5 % | ≈ 83′ | Awe | 86 % | 74 % | 80 % | 44 % |
| 97.5 % | ≈ 88′ | Inspiration | 87 % | 72 % | 83 % | 33 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Jane Wilde
Robert Wilson
Lidia Sciama
Jayant Narlikar
Barmaid
Train Passenger
Hamlet
Details
- Directed by
- Philip Martin
- Written by
- Peter Moffat
- Type
- Movies
- Released
- 2004
- Runtime
- 90 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Rent
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