Nanny McPhee
2005 · 97 min · Director: Kirk Jones
Show plot summary (may contain spoilers)
1860s Victorian England. Sadly, the widowed undertaker, Cedric Brown, has a lot on his plate. As the desperate father works his fingers to the bone to provide for his seven unruly children, in the meantime, they have managed to drive out not one but seventeen nannies with their elaborate practical jokes and bad behaviour. Then, on a stormy night, the hideous government nanny extraordinaire, Nanny McPhee, sets foot in Cedric's household, bent on transforming the children's manners and the house. Will a dash of magic do the trick?
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Emotional fingerprint
Nanny McPhee (2005) — Movie. Top emotional signals: Humor 28%, Awe 22%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor28%
- Awe22%
- Empathy20%
- Hope18%
- Satisfaction12%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Awe, Empathy. Genres: Comedy, Fantasy, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Awe and Empathy. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Relief
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Relief | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 48 % | 42 % | 2 % | 13 % |
| 7.5 % | ≈ 7′ | Sadness | 46 % | 35 % | 5 % | 19 % |
| 12.5 % | ≈ 12′ | Humor | 49 % | 36 % | 14 % | 13 % |
| 17.5 % | ≈ 17′ | Tension | 57 % | 46 % | 19 % | 5 % |
| 22.5 % | ≈ 22′ | Humor | 57 % | 53 % | 11 % | 5 % |
| 27.5 % | ≈ 27′ | Humor | 49 % | 49 % | 5 % | 3 % |
| 32.5 % | ≈ 32′ | Humor | 45 % | 44 % | 6 % | 6 % |
| 37.5 % | ≈ 36′ | Humor | 46 % | 38 % | 6 % | 16 % |
| 42.5 % | ≈ 41′ | Tension | 51 % | 36 % | 4 % | 16 % |
| 47.5 % | ≈ 46′ | Humor | 56 % | 41 % | 15 % | 21 % |
| 52.5 % | ≈ 51′ | Relief | 54 % | 36 % | 31 % | 34 % |
| 57.5 % | ≈ 56′ | Relief | 45 % | 30 % | 23 % | 26 % |
| 62.5 % | ≈ 61′ | Humor | 46 % | 39 % | 5 % | 13 % |
| 67.5 % | ≈ 65′ | Humor | 59 % | 44 % | 4 % | 20 % |
| 72.5 % | ≈ 70′ | Sadness | 63 % | 31 % | 13 % | 39 % |
| 77.5 % | ≈ 75′ | Love | 60 % | 29 % | 14 % | 40 % |
| 82.5 % | ≈ 80′ | Tension | 66 % | 48 % | 15 % | 28 % |
| 87.5 % | ≈ 85′ | Humor | 75 % | 57 % | 35 % | 35 % |
| 92.5 % | ≈ 90′ | Relief | 77 % | 48 % | 53 % | 53 % |
| 97.5 % | ≈ 95′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Lily
Eric
Sebastian
Christianna
Baby Agatha
Baby Agatha
Mr. Jowls
Nanny Whetstone
Details
- Directed by
- Kirk Jones
- Written by
- Emma Thompson, Christianna Brand
- Type
- Movies
- Released
- 2005
- Runtime
- 97 min
- Country
- United Kingdom, France, United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





