Go for Zucker
2004 · 91 min · Director: Dani Levy, Dani Levy
Show plot summary (may contain spoilers)
A Journalist of Jewish descent in Berlin feels that he is a loser of the political changes in Germany after 1989. When his mother dies, he has to meet his brother to whom he has not talked for years and to meet all his other family members. But during the preparations for the funeral he plays a snooker-cup for paying his debts with the money for the victory, and many other things mixes up.
Emotional fingerprint
Go for Zucker (2004) — Movie. Top emotional signals: Humor 35%, Empathy 25%, Joy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Empathy25%
- Joy20%
- Nostalgia10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Joy. Genres: Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Joy. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Golda
Thomas
Jana
Sarah
Linda
Details
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
