The Tiger and the Snow
2005 · 114 min · Director: Roberto Benigni
Show plot summary (may contain spoilers)
Love and injury in time of war. Attilio de Giovanni teaches poetry in Italy. He has a romantic soul, and women love him. But he is in love with Vittoria, and the love is unrequited. Every night he dreams of marrying her, in his boxer shorts and t-shirt, as Tom Waits sings. Vittoria travels to Iraq with her friend, Fuad, a poet; they are there with the second Gulf War breaks out. Vittoria is injured. Attilio must get to her side, and then, as war rages around him, he must find her the medical care she needs. In war, does love conquer all?
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Emotional fingerprint
The Tiger and the Snow (2005) — Movie. Top emotional signals: Empathy 30%, Sadness 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Sadness, Love. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Sadness and Love. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Tension
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Tension | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 55 % | 37 % | 8 % | 5 % |
| 7.5 % | ≈ 9′ | Humor | 56 % | 31 % | 10 % | 9 % |
| 12.5 % | ≈ 14′ | Humor | 55 % | 34 % | 10 % | 9 % |
| 17.5 % | ≈ 20′ | Humor | 51 % | 39 % | 10 % | 9 % |
| 22.5 % | ≈ 26′ | Humor | 55 % | 48 % | 11 % | 14 % |
| 27.5 % | ≈ 31′ | Love | 61 % | 55 % | 24 % | 24 % |
| 32.5 % | ≈ 37′ | Love | 59 % | 48 % | 41 % | 26 % |
| 37.5 % | ≈ 43′ | Humor | 57 % | 44 % | 51 % | 26 % |
| 42.5 % | ≈ 48′ | Love | 65 % | 50 % | 61 % | 38 % |
| 47.5 % | ≈ 54′ | Tension | 71 % | 51 % | 69 % | 43 % |
| 52.5 % | ≈ 60′ | Tension | 74 % | 53 % | 71 % | 41 % |
| 57.5 % | ≈ 66′ | Tension | 71 % | 53 % | 68 % | 41 % |
| 62.5 % | ≈ 71′ | Love | 63 % | 46 % | 55 % | 34 % |
| 67.5 % | ≈ 77′ | Humor | 63 % | 40 % | 55 % | 30 % |
| 72.5 % | ≈ 83′ | Tension | 71 % | 38 % | 63 % | 44 % |
| 77.5 % | ≈ 88′ | Sadness | 74 % | 39 % | 60 % | 46 % |
| 82.5 % | ≈ 94′ | Relief | 76 % | 33 % | 63 % | 41 % |
| 87.5 % | ≈ 100′ | Sadness | 79 % | 26 % | 54 % | 59 % |
| 92.5 % | ≈ 105′ | Sadness | 73 % | 41 % | 25 % | 56 % |
| 97.5 % | ≈ 111′ | Love | 67 % | 58 % | 8 % | 32 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Signora Serao
Avvocato Scuotilancia
Rosa
Emilia
Al Giumeil
Ladro bazar
Vecchio campo minato
First Sergeant
Soldato americano
Firas scarpe
US Marine
Details
- Directed by
- Roberto Benigni
- Written by
- Vincenzo Cerami, Roberto Benigni
- Type
- Movies
- Released
- 2005
- Runtime
- 114 min
- Country
- Italy
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





