The Method
2005 · 117 min · Director: Marcelo Piñeyro
Show plot summary (may contain spoilers)
During IMF & World Bank Summit and demonstrations which upset Madrid, like other capitals, major corporation Dekia holds interviews to recruit a top executive from seven applicants. Their doubts start when they have to sign a clause accepting the Grönholm method, which nobody ever heard of. It soon becomes clear the tests are dirty mind games, but never what is true and what the trick. They must guess who among them is the HR mole, and repeatedly eliminate one of their number from the procedure. Their priorities, ethics and loyalty are put trough stressing tests.
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Emotional fingerprint
The Method (2005) — Movie. Top emotional signals: Anxiety 35%, Confusion 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Confusion, Tension. Genres: Thriller, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Confusion and Tension. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Sympathy
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 32 % | 23 % | 33 % | 7 % |
| 7.5 % | ≈ 9′ | Curiosity | 39 % | 31 % | 41 % | 13 % |
| 12.5 % | ≈ 15′ | Curiosity | 51 % | 43 % | 54 % | 19 % |
| 17.5 % | ≈ 20′ | Curiosity | 56 % | 49 % | 56 % | 24 % |
| 22.5 % | ≈ 26′ | Curiosity | 59 % | 52 % | 49 % | 36 % |
| 27.5 % | ≈ 32′ | Sympathy | 61 % | 54 % | 45 % | 45 % |
| 32.5 % | ≈ 38′ | Curiosity | 60 % | 55 % | 45 % | 46 % |
| 37.5 % | ≈ 44′ | Tension | 64 % | 57 % | 40 % | 53 % |
| 42.5 % | ≈ 50′ | Disturbing | 61 % | 50 % | 33 % | 50 % |
| 47.5 % | ≈ 56′ | Sadness | 51 % | 40 % | 33 % | 34 % |
| 52.5 % | ≈ 61′ | Tension | 50 % | 43 % | 35 % | 31 % |
| 57.5 % | ≈ 67′ | Tension | 56 % | 51 % | 36 % | 40 % |
| 62.5 % | ≈ 73′ | Tension | 64 % | 57 % | 44 % | 50 % |
| 67.5 % | ≈ 79′ | Curiosity | 63 % | 54 % | 50 % | 48 % |
| 72.5 % | ≈ 85′ | Tension | 58 % | 51 % | 42 % | 42 % |
| 77.5 % | ≈ 91′ | Tension | 64 % | 58 % | 44 % | 51 % |
| 82.5 % | ≈ 97′ | Curiosity | 71 % | 65 % | 55 % | 55 % |
| 87.5 % | ≈ 102′ | Tension | 72 % | 64 % | 52 % | 46 % |
| 92.5 % | ≈ 108′ | Sadness | 69 % | 59 % | 43 % | 41 % |
| 97.5 % | ≈ 114′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Ricardo
Ana
Details
- Directed by
- Marcelo Piñeyro
- Written by
- Mateo Gil, Marcelo Piñeyro, Jordi Galceran
- Type
- Movies
- Released
- 2005
- Runtime
- 117 min
- Country
- Spain, Argentina, Italy
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





