Emotional fingerprint
Seven Swords (2005) — Movie. Top emotional signals: Excitement 35%, Tension 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement35%
- Tension25%
- Fear20%
- Satisfaction10%
- Awe10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Tension, Fear. Genres: Fantasy, Adventure, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Tension and Fear. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Hope
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Hope
Dominant emotion: Disturbing
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Hope | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Tension | 74 % | 70 % | 5 % | 25 % |
| 7.5 % | ≈ 11′ | Tension | 67 % | 64 % | 14 % | 26 % |
| 12.5 % | ≈ 19′ | Tension | 57 % | 51 % | 28 % | 21 % |
| 17.5 % | ≈ 27′ | Hope | 60 % | 54 % | 41 % | 21 % |
| 22.5 % | ≈ 34′ | Tension | 71 % | 68 % | 50 % | 25 % |
| 27.5 % | ≈ 42′ | Hope | 71 % | 66 % | 50 % | 24 % |
| 32.5 % | ≈ 49′ | Disturbing | 71 % | 65 % | 39 % | 21 % |
| 37.5 % | ≈ 57′ | Tension | 78 % | 73 % | 24 % | 23 % |
| 42.5 % | ≈ 65′ | Disturbing | 70 % | 65 % | 20 % | 26 % |
| 47.5 % | ≈ 72′ | Tension | 56 % | 54 % | 26 % | 21 % |
| 52.5 % | ≈ 80′ | Tension | 60 % | 60 % | 31 % | 19 % |
| 57.5 % | ≈ 87′ | Tension | 66 % | 66 % | 30 % | 27 % |
| 62.5 % | ≈ 95′ | Tension | 64 % | 64 % | 23 % | 30 % |
| 67.5 % | ≈ 103′ | Tension | 69 % | 66 % | 18 % | 36 % |
| 72.5 % | ≈ 110′ | Love | 79 % | 74 % | 26 % | 50 % |
| 77.5 % | ≈ 118′ | Tension | 83 % | 77 % | 35 % | 57 % |
| 82.5 % | ≈ 125′ | Sadness | 74 % | 66 % | 30 % | 51 % |
| 87.5 % | ≈ 133′ | Hope | 62 % | 55 % | 33 % | 34 % |
| 92.5 % | ≈ 141′ | Tension | 65 % | 49 % | 49 % | 34 % |
| 97.5 % | ≈ 148′ | Hope | 68 % | 33 % | 60 % | 43 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Seven Swords. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Han Zhibang
Qiu Luo Dong
Liu Jin Yi
Mu Lang
Xin Longzi
Master Shadow Glow
Jiao Ci
San Gen
Hei Jiu
Shi Shou
Bang Muzi
Details
- Directed by
- Tsui Hark
- Written by
- Chi-Sing Cheung, Yusheng Liang, Tsui Hark, Chun Tin-Nam, Cheung Chi-Sing
- Type
- Movies
- Released
- 2005
- Runtime
- 152 min
- Country
- Hong Kong, China, South Korea, Australia, Netherlands
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
