The League of Gentlemen's Apocalypse
2005 · 87 min · Director: Steve Bendelack
Show plot summary (may contain spoilers)
The fictional world of Royston Vasey is facing apocalypse and the only way to avert disaster is for our nightmarish cast of characters to find a way into the real world and confront their creators. From present day Soho to the fictional film world of 17th Century Britain, the residents must overcome countless bizarre obstacles in their bid to return Royston Vasey to safety.
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Emotional fingerprint
The League of Gentlemen's Apocalypse (2005) — Movie. Top emotional signals: Humor 35%, Surprise 22%, Fear 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Surprise22%
- Fear18%
- Excitement15%
- Joy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Surprise, Fear. Genres: Comedy, Fantasy, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Surprise and Fear. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 55 % | 52 % | 38 % | 38 % |
| 7.5 % | ≈ 7′ | Humor | 61 % | 61 % | 35 % | 33 % |
| 12.5 % | ≈ 11′ | Humor | 65 % | 66 % | 35 % | 34 % |
| 17.5 % | ≈ 15′ | Humor | 64 % | 61 % | 43 % | 49 % |
| 22.5 % | ≈ 20′ | Humor | 61 % | 58 % | 41 % | 59 % |
| 27.5 % | ≈ 24′ | Curiosity | 57 % | 57 % | 26 % | 54 % |
| 32.5 % | ≈ 28′ | Humor | 56 % | 59 % | 25 % | 43 % |
| 37.5 % | ≈ 33′ | Humor | 57 % | 58 % | 38 % | 39 % |
| 42.5 % | ≈ 37′ | Humor | 56 % | 54 % | 40 % | 43 % |
| 47.5 % | ≈ 41′ | Humor | 59 % | 56 % | 41 % | 50 % |
| 52.5 % | ≈ 46′ | Humor | 64 % | 59 % | 49 % | 51 % |
| 57.5 % | ≈ 50′ | Humor | 65 % | 60 % | 49 % | 43 % |
| 62.5 % | ≈ 54′ | Humor | 64 % | 65 % | 35 % | 34 % |
| 67.5 % | ≈ 59′ | Humor | 64 % | 66 % | 32 % | 31 % |
| 72.5 % | ≈ 63′ | Humor | 64 % | 60 % | 50 % | 38 % |
| 77.5 % | ≈ 67′ | Tension | 61 % | 54 % | 59 % | 45 % |
| 82.5 % | ≈ 72′ | Humor | 65 % | 57 % | 63 % | 46 % |
| 87.5 % | ≈ 76′ | Tension | 75 % | 60 % | 74 % | 43 % |
| 92.5 % | ≈ 80′ | Tension | 79 % | 56 % | 69 % | 40 % |
| 97.5 % | ≈ 85′ | Humor | 75 % | 57 % | 48 % | 40 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Dahlia
Damon
Johnny
Claire
Vicar
Minnie
Queen Mary II
Simon Pig
Casting Director
Details
- Directed by
- Steve Bendelack
- Written by
- Mark Gatiss, Steve Pemberton, Jeremy Dyson, Reece Shearsmith, Mark Gatiss, Steve Pemberton
- Type
- Movies
- Released
- 2005
- Runtime
- 87 min
- Country
- Ireland, United Kingdom, United States
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





