The Lost
2006 · 119 min · Director: Chris Sivertson
Show plot summary (may contain spoilers)
Hanging out at some campgrounds one nice summer day, 19-year-old Ray Pye decides to murder two young women. His friends, Jen and Tim, witness the murder and help him cover it up. Four years later, Ray has never been arrested for the crime. Detective Charlie Schilling and his ex-partner, Ed Anderson, know that Ray did it. They just could never prove it. Charlie figures it's about time they did prove it. He's ready to push Ray harder than ever. Meanwhile, Ray has met his match in a new girl in town, Katherine Wallace. Kath is a bad girl; she and Ray are a potentially explosive combination. Throw in the fact that Ed is having a summer fling with Sally Richmond - a girl young enough to be his daughter. And Sally's just gotten a job at the motel that Ray manages. Ray has his eye on her. Charlie and Ed never found the gun that Ray used to murder the women at the campground. That rifle, as well as a handgun, are hidden behind the mirror in Ray's bathroom. Ray can only be pushed so far. The time will come when he takes the mirror off the wall and shows everyone who is in charge.
Emotional fingerprint
The Lost (2006) — Movie. Top emotional signals: Disturbing 35%, Anxiety 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Disturbing35%
- Anxiety25%
- Sadness20%
- Tension15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Disturbing, Anxiety, Sadness. Genres: Thriller, Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Disturbing, Anxiety and Sadness. Its IMDb rating of 5.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Disturbing
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Fear
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Disturbing | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 49 % | 38 % | 38 % | 29 % |
| 7.5 % | ≈ 9′ | Disturbing | 70 % | 51 % | 52 % | 42 % |
| 12.5 % | ≈ 15′ | Sadness | 66 % | 35 % | 37 % | 22 % |
| 17.5 % | ≈ 21′ | Curiosity | 40 % | 18 % | 15 % | 3 % |
| 22.5 % | ≈ 27′ | Curiosity | 37 % | 25 % | 16 % | 6 % |
| 27.5 % | ≈ 33′ | Curiosity | 49 % | 41 % | 28 % | 15 % |
| 32.5 % | ≈ 39′ | Tension | 55 % | 50 % | 37 % | 23 % |
| 37.5 % | ≈ 45′ | Tension | 55 % | 50 % | 40 % | 23 % |
| 42.5 % | ≈ 51′ | Disturbing | 53 % | 44 % | 40 % | 18 % |
| 47.5 % | ≈ 57′ | Curiosity | 50 % | 38 % | 36 % | 18 % |
| 52.5 % | ≈ 62′ | Disturbing | 47 % | 37 % | 33 % | 19 % |
| 57.5 % | ≈ 68′ | Curiosity | 53 % | 43 % | 40 % | 21 % |
| 62.5 % | ≈ 74′ | Disturbing | 60 % | 46 % | 50 % | 23 % |
| 67.5 % | ≈ 80′ | Curiosity | 55 % | 43 % | 42 % | 18 % |
| 72.5 % | ≈ 86′ | Tension | 60 % | 54 % | 37 % | 23 % |
| 77.5 % | ≈ 92′ | Tension | 77 % | 74 % | 56 % | 49 % |
| 82.5 % | ≈ 98′ | Fear | 90 % | 87 % | 80 % | 78 % |
| 87.5 % | ≈ 104′ | Disturbing | 96 % | 93 % | 93 % | 90 % |
| 92.5 % | ≈ 110′ | Disturbing | 97 % | 94 % | 95 % | 91 % |
| 97.5 % | ≈ 116′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about The Lost. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Sally Richmond
Lisa Steiner
Elise Hanlon
Eddie
Tom Wallace
Lenny Bess
Officer Shack
Mr. Griffith
Details
- Directed by
- Chris Sivertson
- Written by
- Chris Sivertson, Jack Ketchum
- Type
- Movies
- Released
- 2006
- Runtime
- 119 min
- Country
- United States
- Ratings
- Feels mostly
- Disturbing
- Data updated
Where to watch
Rent
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