Sad Movie
2005 · 108 min · Director: Kwon Jong-kwan
Show plot summary (may contain spoilers)
When Lee Jin-woo rescued Su-eun from a fire, they both defied the odds in surviving. He fell in love with her older sister Soo-jeong Lim, who now desires the brave fireman to propose marriage thinking that this will make him less fearless in facing the flames and lessen her greatest fear. He wishes to do so, but his romantic streak causes him to seek the proper moment. Su-eun works as a "character" in an amusement park. Her face was scared in the fire, and she's also a deaf-mute. Feeling free to be more forward when in costume and under a large "Raggedy-Ann" head, she approaches a handsome artist who frequents the park to paint. He becomes infatuated with her despite never having seen her face or heard her voice, and she starts to fall in love with him. Choi Suk-hyun informs her boyfriend Jung Ha-seok that she wishes to break up for he is still unemployed after 3 years and she cannot face a future of poverty. He vows to get a job to reverse her feelings, and when a stranger enlists him to tell her boyfriend a final "goodbye" on the phone, he decides that he can turn doing this into an online business and starts a "separation agency." Busy with her career, Eom Jung-hwa neglects her young son Park Hwi-chan, and he becomes a problem at school. When she is hospitalized he becomes happier since he can visit her anytime and she has time to spend with him. Separation looms as a possible outcome for all of these inter-twined souls who who live and love in Seoul, Korea.
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Emotional fingerprint
Sad Movie (2005) — Movie. Top emotional signals: Sadness 40%, Empathy 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness40%
- Empathy25%
- Love20%
- Melancholy10%
- Relief5%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Love. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Love. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 22 % | 7 % | 13 % | 7 % |
| 7.5 % | ≈ 8′ | Humor | 33 % | 8 % | 16 % | 18 % |
| 12.5 % | ≈ 14′ | Humor | 49 % | 18 % | 25 % | 24 % |
| 17.5 % | ≈ 19′ | Sadness | 53 % | 29 % | 34 % | 23 % |
| 22.5 % | ≈ 24′ | Humor | 49 % | 26 % | 34 % | 21 % |
| 27.5 % | ≈ 30′ | Empathy | 46 % | 27 % | 36 % | 18 % |
| 32.5 % | ≈ 35′ | Humor | 44 % | 31 % | 39 % | 21 % |
| 37.5 % | ≈ 41′ | Love | 48 % | 32 % | 43 % | 35 % |
| 42.5 % | ≈ 46′ | Love | 59 % | 39 % | 53 % | 46 % |
| 47.5 % | ≈ 51′ | Tension | 66 % | 45 % | 60 % | 53 % |
| 52.5 % | ≈ 57′ | Love | 68 % | 51 % | 64 % | 51 % |
| 57.5 % | ≈ 62′ | Sadness | 65 % | 46 % | 58 % | 42 % |
| 62.5 % | ≈ 68′ | Love | 59 % | 27 % | 43 % | 43 % |
| 67.5 % | ≈ 73′ | Love | 56 % | 18 % | 36 % | 50 % |
| 72.5 % | ≈ 78′ | Love | 63 % | 23 % | 44 % | 56 % |
| 77.5 % | ≈ 84′ | Love | 73 % | 44 % | 57 % | 59 % |
| 82.5 % | ≈ 89′ | Sadness | 83 % | 74 % | 73 % | 59 % |
| 87.5 % | ≈ 95′ | Sadness | 90 % | 89 % | 83 % | 65 % |
| 92.5 % | ≈ 100′ | Sadness | 92 % | 88 % | 83 % | 68 % |
| 97.5 % | ≈ 105′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Choi Suk-hyun
Park Yoon-bok
Mi-ryung
Seven Dwarfs
Teacher
Seven Dwarfs
Seven Dwarfs
Tear
Public Service Worker
Details
- Directed by
- Kwon Jong-kwan
- Written by
- Kwon Jong-kwan, Hwang Seong-gu, Hwang Sung-goo, Um Joo-yeong
- Type
- Movies
- Released
- 2005
- Runtime
- 108 min
- Country
- South Korea
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





