The Trap
2007 · 106 min · Director: Srdan Golubovic
Show plot summary (may contain spoilers)
"THE TRAP" is a modern film noir reflecting the true face of Serbian (Eastern European) 'society in transition.' It's a story that could happen to you. It is a film about an ordinary man, who is forced to choose between life and death of his own child. THE TRAP is a film about post-Milosevic Serbia, in which there is no more war, but there is moral and existential desert, about Serbia in transition, in which human life still isn't worth a lot, about normal life which still seems unreachable.
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Emotional fingerprint
The Trap (2007) — Movie. Top emotional signals: Sadness 35%, Anxiety 25%, Guilt 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Anxiety, Guilt. Genres: Thriller, Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Anxiety and Guilt. Its IMDb rating of 7.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Sympathy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sympathy
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Sympathy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sympathy | 33 % | 17 % | 23 % | 27 % |
| 7.5 % | ≈ 8′ | Tension | 41 % | 23 % | 34 % | 38 % |
| 12.5 % | ≈ 13′ | Sympathy | 54 % | 35 % | 51 % | 49 % |
| 17.5 % | ≈ 19′ | Sympathy | 57 % | 38 % | 55 % | 50 % |
| 22.5 % | ≈ 24′ | Sympathy | 65 % | 38 % | 55 % | 60 % |
| 27.5 % | ≈ 29′ | Tension | 74 % | 46 % | 60 % | 70 % |
| 32.5 % | ≈ 34′ | Sympathy | 76 % | 56 % | 68 % | 71 % |
| 37.5 % | ≈ 40′ | Sympathy | 78 % | 58 % | 73 % | 75 % |
| 42.5 % | ≈ 45′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 47.5 % | ≈ 50′ | Sadness | 77 % | 68 % | 67 % | 65 % |
| 52.5 % | ≈ 56′ | Tension | 80 % | 70 % | 68 % | 68 % |
| 57.5 % | ≈ 61′ | Sadness | 84 % | 75 % | 71 % | 66 % |
| 62.5 % | ≈ 66′ | Sadness | 86 % | 76 % | 70 % | 71 % |
| 67.5 % | ≈ 72′ | Tension | 88 % | 76 % | 71 % | 74 % |
| 72.5 % | ≈ 77′ | Sadness | 88 % | 71 % | 71 % | 71 % |
| 77.5 % | ≈ 82′ | Tension | 89 % | 65 % | 66 % | 75 % |
| 82.5 % | ≈ 87′ | Sadness | 90 % | 74 % | 73 % | 68 % |
| 87.5 % | ≈ 93′ | Sadness | 90 % | 83 % | 82 % | 55 % |
| 92.5 % | ≈ 98′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 103′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Petrov brat
Vlada
Moma
Nemanja
Marko
Službenik u banci
Službenica u posti
Alisa
Details
- Directed by
- Srdan Golubovic
- Written by
- Srdan Golubovic, Melina Pota Koljevic, Srdjan Koljevic, Srđan Koljević
- Type
- Movies
- Released
- 2007
- Runtime
- 106 min
- Country
- Serbia, Germany, Hungary
- Ratings
- Feels mostly
- Sadness
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.




