In Tranzit
2008 · 113 min · Director: Tom Roberts
Show plot summary (may contain spoilers)
In the winter of 1946, in Leningrad, a group of German prisoners of war are sent to a female transit camp by the cruel Russian Commander Pavlov. When they arrive, the Russian female soldiers show the hostility to the enemies that have killed their husbands, families and friends; only Dr. Natalia and the cook treat the prisoners with dignity. Natalia has an agreement with Commander Pavlov to keep her former lover, who was wounded on the head during the war and is slow, in the camp instead of sending him to an institution in Siberia. Pavlov assigns Natalia to disclose members of the SS infiltrated in the group of prisoners. Natalia and the prisoner Max feel a great attraction for each other while the prisoner Klaus tries to convince Max to denounce a couple of prisoners to satisfy the Russian. Natalia convinces the businessman Yakov to organize an orchestra with the prisoners; they are invited to play in a ball, where the lonely women that survived the war dance with the Germans. After the ball, Natalia convinces Officer Elena to let the prisoners spend the night with the women. Natalia has one night stand with Max and while he sneaks back to the quarters, he is attacked by Klaus and saved by Natalia that discovers who Klaus actually is.
Emotional fingerprint
In Tranzit (2008) — Movie. Top emotional signals: Sadness 30%, Anxiety 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Anxiety, Empathy. Genres: Drama, Romance, War. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Anxiety and Empathy. Its IMDb rating of 5.7/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sympathy
- Tension
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sympathy
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sympathy | Tension | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sympathy | 50 % | 42 % | 45 % | 35 % |
| 7.5 % | ≈ 8′ | Tension | 63 % | 55 % | 54 % | 44 % |
| 12.5 % | ≈ 14′ | Sympathy | 65 % | 61 % | 53 % | 41 % |
| 17.5 % | ≈ 20′ | Sympathy | 63 % | 54 % | 55 % | 30 % |
| 22.5 % | ≈ 25′ | Tension | 63 % | 42 % | 60 % | 30 % |
| 27.5 % | ≈ 31′ | Tension | 61 % | 40 % | 51 % | 43 % |
| 32.5 % | ≈ 37′ | Sadness | 59 % | 46 % | 41 % | 48 % |
| 37.5 % | ≈ 42′ | Sympathy | 59 % | 51 % | 46 % | 41 % |
| 42.5 % | ≈ 48′ | Sympathy | 57 % | 46 % | 50 % | 33 % |
| 47.5 % | ≈ 54′ | Tension | 58 % | 38 % | 53 % | 28 % |
| 52.5 % | ≈ 59′ | Tension | 64 % | 41 % | 63 % | 31 % |
| 57.5 % | ≈ 65′ | Tension | 68 % | 49 % | 68 % | 34 % |
| 62.5 % | ≈ 71′ | Tension | 66 % | 46 % | 65 % | 27 % |
| 67.5 % | ≈ 76′ | Relief | 63 % | 39 % | 56 % | 20 % |
| 72.5 % | ≈ 82′ | Love | 59 % | 30 % | 41 % | 15 % |
| 77.5 % | ≈ 88′ | Love | 65 % | 34 % | 44 % | 18 % |
| 82.5 % | ≈ 93′ | Tension | 76 % | 55 % | 61 % | 38 % |
| 87.5 % | ≈ 99′ | Sympathy | 78 % | 68 % | 62 % | 57 % |
| 92.5 % | ≈ 105′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 110′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about In Tranzit. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Ivan
Olga Alexandrova
Ivan
Liudmilla
Anton
Nina
Hans
Captain
Schmidt
Details
- Directed by
- Tom Roberts
- Written by
- Natalia Nightingale-Grey, Simon van der Borgh, Nataliya Portnova
- Type
- Movies
- Released
- 2008
- Runtime
- 113 min
- Country
- United Kingdom, Russia
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Free
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