Dallas Buyers Club
2013 · 117 min · Director: Jean-Marc Vallée
Show plot summary (may contain spoilers)
Dallas 1985. Electrician and sometimes rodeo bull rider Ron Woodroof lives hard, which includes heavy smoking, drinking, drug use (primarily cocaine) and casual sex. He is racist and homophobic. While in the hospital on a work related injury, the doctors discover and inform him that he is HIV+, and that he will most-likely die within thirty days. Ron is initially in angry denial that he would have a disease that only "faggots" have, but upon quick reflection comes to the realization that the diagnosis is probably true. He begins to read whatever research is available about the disease, which at this time seems to be most effectively treated by the drug AZT. AZT, however, is only in the clinical trials stage within the US. Incredulous that he, as a dying man, cannot pay for any drug which may save or at least prolong his life, he goes searching for it by whatever means possible. It eventually leads him to Mexico and a "Dr." Vass, an American physician whose license was revoked in the US because of his AIDS related work against US regulations. Dr. Vass leads Ron to a cocktail of other drugs, some vitamins, he believes are more effective in treating the symptoms, since the virus, as Ron learns, will always be in the system of those who have been exposed to it. Ron begins to smuggle these drugs not approved by the FDA into the US, not only for his own use but for sale to other HIV+ persons. In this venture, he goes into an unlikely partnership with a HIV+ transgender woman named Rayon, who he met in the hospital and who has greater contact with AIDS patients through the gay community. As they try to work both above ground to get the meds to those that need them and underground to avoid detection by especially the FDA, Ron comes up with an idea to circumvent the fact of selling the drugs - which are not considered drugs yet since they are not FDA approved - directly to the HIV+ population, which then should should not be against the law. Richard Barkley and Dr. Sevard, the FDA's lead man on the file and one of Ron's doctors respectively, the latter who sees clinical trials as the only way to determine the efficacy of drugs despite the fact that Ron and others would have probably died already without these drugs, try to stop Ron and Rayon at every turn. Caught in the middle is Dr. Eve Saks, another of Ron's doctors, who understands why policies are in place, but who can sympathize with Ron, Rayon and others - all her patients, directly or indirectly - in their situation.
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Emotional fingerprint
Dallas Buyers Club (2013) — Movie. Top emotional signals: Empathy 30%, Inspiration 25%, Humor 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Inspiration25%
- Humor20%
- Sadness15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Inspiration, Humor. Genres: Drama, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Inspiration and Humor. Its IMDb rating of 7.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 43 % | 17 % | 18 % | 38 % |
| 7.5 % | ≈ 9′ | Tension | 49 % | 28 % | 25 % | 44 % |
| 12.5 % | ≈ 15′ | Tension | 51 % | 33 % | 30 % | 46 % |
| 17.5 % | ≈ 20′ | Tension | 58 % | 34 % | 34 % | 52 % |
| 22.5 % | ≈ 26′ | Tension | 58 % | 33 % | 34 % | 50 % |
| 27.5 % | ≈ 32′ | Humor | 53 % | 35 % | 39 % | 39 % |
| 32.5 % | ≈ 38′ | Sadness | 54 % | 36 % | 43 % | 38 % |
| 37.5 % | ≈ 44′ | Hope | 50 % | 26 % | 35 % | 39 % |
| 42.5 % | ≈ 50′ | Hope | 43 % | 19 % | 29 % | 33 % |
| 47.5 % | ≈ 56′ | Hope | 43 % | 18 % | 30 % | 30 % |
| 52.5 % | ≈ 61′ | Tension | 48 % | 21 % | 34 % | 39 % |
| 57.5 % | ≈ 67′ | Tension | 49 % | 23 % | 34 % | 43 % |
| 62.5 % | ≈ 73′ | Hope | 49 % | 21 % | 35 % | 41 % |
| 67.5 % | ≈ 79′ | Tension | 54 % | 31 % | 44 % | 39 % |
| 72.5 % | ≈ 85′ | Empathy | 56 % | 41 % | 51 % | 29 % |
| 77.5 % | ≈ 91′ | Empathy | 60 % | 49 % | 55 % | 32 % |
| 82.5 % | ≈ 97′ | Sadness | 66 % | 55 % | 59 % | 46 % |
| 87.5 % | ≈ 102′ | Empathy | 64 % | 50 % | 56 % | 48 % |
| 92.5 % | ≈ 108′ | Sadness | 62 % | 48 % | 53 % | 47 % |
| 97.5 % | ≈ 114′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Cast
Kelly
Sunny
Michael
Freddie
Details
- Directed by
- Jean-Marc Vallée
- Written by
- Melisa Wallack, Craig Borten
- Type
- Movies
- Released
- 2013
- Runtime
- 117 min
- Country
- United States
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Rent
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