Arn: The Knight Templar
2007 · 139 min · Director: Peter Flinth
Show plot summary (may contain spoilers)
Arn, the son of a high-ranking Swedish nobleman, is educated in a monastery and sent to the Holy Land as a knight templar to do penance for a forbidden love.
Emotional fingerprint
Arn: The Knight Templar (2007) — Movie. Top emotional signals: Excitement 30%, Anxiety 25%, Awe 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Anxiety25%
- Awe18%
- Love15%
- Satisfaction12%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Anxiety, Awe. Genres: Drama, Romance, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Anxiety and Awe. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Sadness
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sadness | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 38 % | 38 % | 8 % | 3 % |
| 7.5 % | ≈ 10′ | Tension | 49 % | 44 % | 19 % | 13 % |
| 12.5 % | ≈ 17′ | Relief | 53 % | 39 % | 34 % | 23 % |
| 17.5 % | ≈ 24′ | Sadness | 46 % | 32 % | 33 % | 19 % |
| 22.5 % | ≈ 31′ | Tension | 41 % | 30 % | 18 % | 15 % |
| 27.5 % | ≈ 38′ | Relief | 46 % | 35 % | 10 % | 19 % |
| 32.5 % | ≈ 45′ | Tension | 51 % | 44 % | 14 % | 20 % |
| 37.5 % | ≈ 52′ | Love | 49 % | 34 % | 18 % | 32 % |
| 42.5 % | ≈ 59′ | Love | 54 % | 29 % | 15 % | 50 % |
| 47.5 % | ≈ 66′ | Love | 63 % | 46 % | 23 % | 46 % |
| 52.5 % | ≈ 73′ | Tension | 70 % | 59 % | 48 % | 40 % |
| 57.5 % | ≈ 80′ | Sadness | 73 % | 56 % | 64 % | 43 % |
| 62.5 % | ≈ 87′ | Sadness | 66 % | 55 % | 55 % | 29 % |
| 67.5 % | ≈ 94′ | Tension | 66 % | 59 % | 46 % | 14 % |
| 72.5 % | ≈ 101′ | Sadness | 70 % | 54 % | 44 % | 21 % |
| 77.5 % | ≈ 108′ | Hope | 70 % | 53 % | 30 % | 25 % |
| 82.5 % | ≈ 115′ | Tension | 73 % | 57 % | 18 % | 19 % |
| 87.5 % | ≈ 122′ | Relief | 75 % | 52 % | 13 % | 23 % |
| 92.5 % | ≈ 129′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 136′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Sigrid
Eskil Magnusson
Saladin
Helena
Karl Sverkersson
Katarina Algotsdotter
Dorotea Röriksdotter
Cecilia Blanka
Details
- Directed by
- Peter Flinth
- Written by
- Jan Guillou, Hans Gunnarsson
- Type
- Movies
- Released
- 2007
- Runtime
- 139 min
- Country
- Sweden, United Kingdom, Denmark, Norway, Finland, Germany, Morocco
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Rent
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
