The Kids Are All Right
2010 · 106 min · Director: Lisa Cholodenko
Show plot summary (may contain spoilers)
Nic and Jules are in a long term, committed, loving but by no means perfect same-sex relationship. Nic, a physician, needs to wield what she believes is control, whereas Jules, under that control, is less self-assured. During their relationship, Jules has floundered in her "nine to five" life, sometimes trying to start a business - always unsuccessfully - or being the stay-at-home mom. She is currently trying to start a landscape design business. They have two teen-aged children, Joni (conceived by Nic) and Laser (by Jules). Although not exact replicas, each offspring does more closely resemble his/her biological mother in temperament. Joni and Laser are also half-siblings, having the same unknown sperm donor father. Shortly after Joni's eighteenth birthday and shortly before she plans to leave the house and head off to college, Laser, only fifteen and underage to do so, pleads with her to try and contact their sperm donor father. Somewhat reluctantly, she does. He is late thirty-something Paul, a co-op farmer and restaurateur. Despite his seemingly successful businesses, Paul has always shirked responsibility, most specifically in his personal life. After Joni and Laser meet with Paul, Nic and Jules learn what their children have done and, although they don't want Paul infiltrating their lives, want to meet him - especially as Joni and Laser seem to want to maintain some sort of relationship with him. As Paul's relationship with the entire family grows (which includes his hiring Jules to design and construct his backyard), they have an effect on what he wants in life. In turn, he affects their family dynamic as well as each person's relationships outside of it.
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Emotional fingerprint
The Kids Are All Right (2010) — Movie. Top emotional signals: Humor 25%, Empathy 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Love. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Love. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Tension
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Tension | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 37 % | 13 % | 16 % | 0 % |
| 7.5 % | ≈ 8′ | Curiosity | 40 % | 17 % | 14 % | 0 % |
| 12.5 % | ≈ 13′ | Curiosity | 42 % | 21 % | 16 % | 1 % |
| 17.5 % | ≈ 19′ | Humor | 41 % | 22 % | 26 % | 6 % |
| 22.5 % | ≈ 24′ | Humor | 44 % | 23 % | 34 % | 7 % |
| 27.5 % | ≈ 29′ | Humor | 45 % | 26 % | 35 % | 7 % |
| 32.5 % | ≈ 34′ | Tension | 42 % | 28 % | 33 % | 11 % |
| 37.5 % | ≈ 40′ | Humor | 38 % | 28 % | 30 % | 14 % |
| 42.5 % | ≈ 45′ | Humor | 42 % | 30 % | 34 % | 13 % |
| 47.5 % | ≈ 50′ | Tension | 47 % | 31 % | 41 % | 14 % |
| 52.5 % | ≈ 56′ | Humor | 50 % | 32 % | 45 % | 18 % |
| 57.5 % | ≈ 61′ | Tension | 54 % | 38 % | 51 % | 26 % |
| 62.5 % | ≈ 66′ | Tension | 52 % | 36 % | 49 % | 28 % |
| 67.5 % | ≈ 72′ | Tension | 44 % | 31 % | 37 % | 26 % |
| 72.5 % | ≈ 77′ | Sadness | 52 % | 40 % | 39 % | 37 % |
| 77.5 % | ≈ 82′ | Tension | 68 % | 54 % | 60 % | 52 % |
| 82.5 % | ≈ 87′ | Tension | 72 % | 60 % | 63 % | 54 % |
| 87.5 % | ≈ 93′ | Empathy | 72 % | 67 % | 43 % | 57 % |
| 92.5 % | ≈ 98′ | Empathy | 72 % | 72 % | 25 % | 61 % |
| 97.5 % | ≈ 103′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Jai
Luis
Brooke
Stella
Joel
Bartender
Sous-chef (uncredited)
Waiter (uncredited)
Pregnant Woman (uncredited)
Partygoer (uncredited)
Details
- Directed by
- Lisa Cholodenko
- Written by
- Lisa Cholodenko, Stuart Blumberg
- Type
- Movies
- Released
- 2010
- Runtime
- 106 min
- Country
- United States, France
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
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