Paris
2008 · 130 min · Director: Cédric Klapisch
Show plot summary (may contain spoilers)
Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the people around him, from the balcony of his Paris apartment. When Elise, his sister with three kids and no husband, moves in to his place to care for him, Pierre does not change his new habits. And instead of dancing himself, it is Paris and the Parisians who dance before his eyes.
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Emotional fingerprint
Paris (2008) — Movie. Top emotional signals: Empathy 30%, Sadness 20%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Sadness, Love. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Sadness and Love. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 44 % | 25 % | 5 % | 23 % |
| 7.5 % | ≈ 10′ | Sadness | 52 % | 36 % | 10 % | 23 % |
| 12.5 % | ≈ 16′ | Humor | 47 % | 25 % | 11 % | 33 % |
| 17.5 % | ≈ 23′ | Humor | 44 % | 13 % | 16 % | 44 % |
| 22.5 % | ≈ 29′ | Humor | 51 % | 20 % | 30 % | 43 % |
| 27.5 % | ≈ 36′ | Sadness | 53 % | 33 % | 39 % | 29 % |
| 32.5 % | ≈ 42′ | Love | 50 % | 35 % | 39 % | 19 % |
| 37.5 % | ≈ 49′ | Love | 48 % | 34 % | 30 % | 18 % |
| 42.5 % | ≈ 55′ | Sadness | 44 % | 35 % | 19 % | 21 % |
| 47.5 % | ≈ 62′ | Sadness | 47 % | 39 % | 16 % | 30 % |
| 52.5 % | ≈ 68′ | Sadness | 51 % | 39 % | 16 % | 38 % |
| 57.5 % | ≈ 75′ | Humor | 50 % | 30 % | 21 % | 43 % |
| 62.5 % | ≈ 81′ | Humor | 56 % | 38 % | 31 % | 39 % |
| 67.5 % | ≈ 88′ | Sadness | 64 % | 55 % | 34 % | 26 % |
| 72.5 % | ≈ 94′ | Sadness | 60 % | 45 % | 31 % | 28 % |
| 77.5 % | ≈ 101′ | Humor | 53 % | 21 % | 34 % | 39 % |
| 82.5 % | ≈ 107′ | Love | 57 % | 21 % | 43 % | 39 % |
| 87.5 % | ≈ 114′ | Tension | 66 % | 38 % | 45 % | 30 % |
| 92.5 % | ≈ 120′ | Hope | 69 % | 45 % | 42 % | 23 % |
| 97.5 % | ≈ 127′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Paris. From the film’s own dialogue and FeelDB data, at your spoiler level.
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Marjolaine
Farida
Suzy
Disco
Details
- Directed by
- Cédric Klapisch
- Written by
- Cédric Klapisch
- Type
- Movies
- Released
- 2008
- Runtime
- 130 min
- Country
- France
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





