Lost Girls and Love Hotels
2020 · 97 min · Director: William Olsson
Show plot summary (may contain spoilers)
Margaret finds herself in the glittering labyrinth of Tokyo by night and as a respected English teacher of a Japanese flight attendant academy by day. With little life direction, She searches for meaning with fellow ex-pat Ines in a Japanese dive bar, drinking to remember to forget and losing herself in love hotel encounters with men who satisfy a fleeting craving. When she crosses paths with Kazu, a dashing yakuza, she falls in love with him despite the danger and tradition that hinders their chances of being together. We follow her through the dark and light of love and what it means to find oneself abroad with a youthful abandon.
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Emotional fingerprint
Lost Girls and Love Hotels (2020) — Movie. Top emotional signals: Anxiety 30%, Empathy 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Empathy, Sadness. Genres: Thriller, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Empathy and Sadness. Its IMDb rating of 4.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 55/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Melancholy
- Sympathy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Melancholy
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Melancholy | Sympathy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Melancholy | 40 % | 32 % | 17 % | 10 % |
| 7.5 % | ≈ 7′ | Humor | 40 % | 25 % | 18 % | 15 % |
| 12.5 % | ≈ 12′ | Melancholy | 41 % | 28 % | 29 % | 21 % |
| 17.5 % | ≈ 17′ | Sympathy | 43 % | 31 % | 36 % | 21 % |
| 22.5 % | ≈ 22′ | Humor | 43 % | 29 % | 31 % | 19 % |
| 27.5 % | ≈ 27′ | Love | 48 % | 34 % | 31 % | 18 % |
| 32.5 % | ≈ 32′ | Love | 55 % | 45 % | 39 % | 23 % |
| 37.5 % | ≈ 36′ | Melancholy | 58 % | 50 % | 45 % | 31 % |
| 42.5 % | ≈ 41′ | Melancholy | 55 % | 45 % | 41 % | 31 % |
| 47.5 % | ≈ 46′ | Humor | 51 % | 34 % | 30 % | 20 % |
| 52.5 % | ≈ 51′ | Love | 53 % | 31 % | 33 % | 16 % |
| 57.5 % | ≈ 56′ | Sympathy | 58 % | 45 % | 46 % | 20 % |
| 62.5 % | ≈ 61′ | Melancholy | 65 % | 53 % | 50 % | 24 % |
| 67.5 % | ≈ 65′ | Love | 63 % | 39 % | 40 % | 33 % |
| 72.5 % | ≈ 70′ | Sympathy | 48 % | 29 % | 33 % | 29 % |
| 77.5 % | ≈ 75′ | Melancholy | 42 % | 33 % | 35 % | 17 % |
| 82.5 % | ≈ 80′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 87.5 % | ≈ 85′ | Tension | 80 % | 58 % | 60 % | 65 % |
| 92.5 % | ≈ 90′ | Melancholy | 70 % | 57 % | 55 % | 45 % |
| 97.5 % | ≈ 95′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Margaret's mother
Irina
Liam
Alice
Louise
Rooftop Cafe Man
Fumiko
Yuki
Salaryman 1
Frank
Dancer
Masa
Salaryman 2
Love Hotel Man 1
Details
- Directed by
- William Olsson
- Written by
- Catherine Hanrahan
- Type
- Movies
- Released
- 2020
- Runtime
- 97 min
- Country
- Japan, United States
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Free
Rent
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