The First Day of the Rest of Your Life
2008 · 114 min · Director: Rémi Bezançon
Show plot summary (may contain spoilers)
Five key days in a family's life.
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Emotional fingerprint
The First Day of the Rest of Your Life (2008) — Movie. Top emotional signals: Empathy 35%, Nostalgia 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy35%
- Nostalgia25%
- Sadness20%
- Love10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Nostalgia, Sadness. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Nostalgia and Sadness. Its IMDb rating of 7.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 61 % | 52 % | 52 % | 33 % |
| 7.5 % | ≈ 9′ | Humor | 52 % | 34 % | 39 % | 26 % |
| 12.5 % | ≈ 14′ | Humor | 43 % | 18 % | 25 % | 21 % |
| 17.5 % | ≈ 20′ | Love | 39 % | 11 % | 20 % | 25 % |
| 22.5 % | ≈ 26′ | Humor | 38 % | 16 % | 25 % | 23 % |
| 27.5 % | ≈ 31′ | Sadness | 43 % | 30 % | 36 % | 16 % |
| 32.5 % | ≈ 37′ | Sadness | 55 % | 39 % | 43 % | 15 % |
| 37.5 % | ≈ 43′ | Tension | 59 % | 38 % | 41 % | 23 % |
| 42.5 % | ≈ 48′ | Love | 55 % | 32 % | 39 % | 38 % |
| 47.5 % | ≈ 54′ | Love | 58 % | 34 % | 38 % | 39 % |
| 52.5 % | ≈ 60′ | Tension | 62 % | 41 % | 43 % | 25 % |
| 57.5 % | ≈ 66′ | Empathy | 61 % | 46 % | 50 % | 15 % |
| 62.5 % | ≈ 71′ | Sadness | 59 % | 44 % | 50 % | 15 % |
| 67.5 % | ≈ 77′ | Humor | 60 % | 31 % | 44 % | 20 % |
| 72.5 % | ≈ 83′ | Tension | 62 % | 25 % | 43 % | 23 % |
| 77.5 % | ≈ 88′ | Tension | 59 % | 26 % | 43 % | 25 % |
| 82.5 % | ≈ 94′ | Humor | 53 % | 23 % | 38 % | 30 % |
| 87.5 % | ≈ 100′ | Humor | 59 % | 38 % | 46 % | 40 % |
| 92.5 % | ≈ 105′ | Sadness | 75 % | 65 % | 63 % | 52 % |
| 97.5 % | ≈ 111′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Clara
Moïra
Sacha, le looser
Mathias Moreau
La maîtresse du chien accidenté
La mère de Sacha
Le père de Sacha
La prof de biologie
Details
- Directed by
- Rémi Bezançon
- Written by
- Rémi Bezançon
- Type
- Movies
- Released
- 2008
- Runtime
- 114 min
- Country
- France
- Genres
- Drama
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





