feeldb

Love Me No More

2008 · 85 min · Director: Jean Becker, Jean Becker ★ IMDb 7.1 · 3,902 ratings

Show plot summary (may contain spoilers)

Antoine Méliot is around 40 years old and has everything he needs to be happy: a beautiful wife, two adorable children, friends he can count on, a pretty house in the Yvelines and money. But one day he decides to ruin everything in one weekend.

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Emotional fingerprint

Love Me No More (2008) — Movie. Top emotional signals: Sadness 35%, Anxiety 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Sadness, Anxiety, Empathy. Genres: Drama, Romance. AI estimate.

Is it worth watching?

Consider this title if you are looking for Sadness, Anxiety and Empathy. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Sadness
  • Empathy
  • Tension

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Love

Dominant emotion: Tension

Dominant emotion: Sadness

Dominant emotion: Empathy

Sadness
Empathy
Tension
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity peaks around 48 %, then dips around 68 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensitySadnessEmpathyTension
2.5 %≈ 2′Humor43 %10 %15 %35 %
7.5 %≈ 6′Humor40 %13 %20 %32 %
12.5 %≈ 11′Love46 %20 %29 %40 %
17.5 %≈ 15′Tension61 %40 %45 %55 %
22.5 %≈ 19′Sadness65 %51 %57 %56 %
27.5 %≈ 23′Empathy65 %51 %61 %51 %
32.5 %≈ 28′Sadness68 %46 %56 %51 %
37.5 %≈ 32′Tension69 %30 %41 %61 %
42.5 %≈ 36′Tension75 %24 %35 %75 %
47.5 %≈ 40′Tension84 %44 %50 %79 %
52.5 %≈ 45′Sadness74 %54 %56 %61 %
57.5 %≈ 49′Humor51 %36 %44 %31 %
62.5 %≈ 53′Empathy41 %25 %38 %16 %
67.5 %≈ 57′Love39 %25 %35 %23 %
72.5 %≈ 62′Sadness49 %35 %41 %43 %
77.5 %≈ 66′Tension66 %51 %56 %57 %
82.5 %≈ 70′Sadness78 %66 %70 %60 %
87.5 %≈ 74′Sadness88 %83 %84 %56 %
92.5 %≈ 79′Sadness92 %89 %86 %43 %
97.5 %≈ 83′Sadness89 %85 %78 %30 %
Oedipus

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

PV
Pierre Vaneck

PV
Pierre Vaneck

le père d'Antoine

CR
Cristiana Réali

Virginie

CN
Claire Nebout

Clara

AL
Anne Loiret

Anne-Laure

JP
José Paul

Thibault

DB
Daphné Bürki

Bérangère

SL
Samuel Labarthe

Etienne

Details

Written by
Jean Becker, Eric Assous, Jérôme Beaujour, François d'Épenoux, Jean Becker
Type
Movies
Released
2008
Runtime
85 min
Country
France
Genres
Drama, Romance
Ratings
★ IMDb 7.1 · 3,902 ratings
Feels mostly
Sadness
Data updated

Where to watch

Also on

Availability varies by country

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.