A Christmas Prince: The Royal Baby
2019 · 85 min · Director: John Schultz
Show plot summary (may contain spoilers)
It's Christmastime in Aldovia, and a a royal baby is on the way. Queen Amber (Rose McIver) and King Richard (Ben Lamb) are getting ready to take some time off to prepare for their first child's arrival, but first they have to host King Tai (Kevin Shen) and Queen Ming (Momo Yeung) of Penglia to renew a 600-year-old sacred truce. But when a snowstorm hits on Christmas Eve and the priceless treaty goes missing, peace is jeopardized and an ancient curse looms. Amber will have to figure out who the thief is before before the clock strikes midnight, for the safety of her family and the kingdom.
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Emotional fingerprint
A Christmas Prince: The Royal Baby (2019) — Movie. Top emotional signals: Humor 30%, Love 25%, Smile 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Love25%
- Smile20%
- Anticipation15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Smile. Genres: Romance, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Smile. Its IMDb rating of 5.4/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 57/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Joy
- Love
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Love | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Joy | 47 % | 42 % | 37 % | 7 % |
| 7.5 % | ≈ 6′ | Love | 44 % | 34 % | 38 % | 11 % |
| 12.5 % | ≈ 11′ | Love | 38 % | 26 % | 31 % | 8 % |
| 17.5 % | ≈ 15′ | Joy | 35 % | 27 % | 25 % | 1 % |
| 22.5 % | ≈ 19′ | Love | 42 % | 27 % | 25 % | 0 % |
| 27.5 % | ≈ 23′ | Tension | 47 % | 24 % | 20 % | 1 % |
| 32.5 % | ≈ 28′ | Joy | 46 % | 24 % | 22 % | 3 % |
| 37.5 % | ≈ 32′ | Love | 49 % | 18 % | 26 % | 1 % |
| 42.5 % | ≈ 36′ | Tension | 53 % | 15 % | 29 % | 3 % |
| 47.5 % | ≈ 40′ | Love | 53 % | 30 % | 39 % | 7 % |
| 52.5 % | ≈ 45′ | Joy | 52 % | 37 % | 40 % | 8 % |
| 57.5 % | ≈ 49′ | Tension | 50 % | 31 % | 29 % | 7 % |
| 62.5 % | ≈ 53′ | Joy | 50 % | 35 % | 25 % | 11 % |
| 67.5 % | ≈ 57′ | Joy | 56 % | 34 % | 30 % | 13 % |
| 72.5 % | ≈ 62′ | Tension | 65 % | 17 % | 30 % | 10 % |
| 77.5 % | ≈ 66′ | Tension | 68 % | 10 % | 25 % | 17 % |
| 82.5 % | ≈ 70′ | Tension | 73 % | 31 % | 33 % | 45 % |
| 87.5 % | ≈ 74′ | Relief | 84 % | 65 % | 62 % | 69 % |
| 92.5 % | ≈ 79′ | Love | 80 % | 75 % | 73 % | 54 % |
| 97.5 % | ≈ 83′ | Joy | 65 % | 62 % | 59 % | 25 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Simon Duxbury
Tai
Ming
Sahil Mattu
Lynn
Andy
Magoro
Tom Quill
Claude
Jun
Reporter #1
Details
- Directed by
- John Schultz
- Written by
- Nate Atkins, Karen Schaler
- Type
- Movies
- Released
- 2019
- Runtime
- 85 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





