Rosa's Wedding
2020 · 100 min · Director: Icíar Bollaín
Show plot summary (may contain spoilers)
In 2019 Valencia (eastern Spain) 45-year-old Rosa is at the edge of the abyss: besides her work as a costume designer for films, she has a second full-time job helping her dysfunctional family. Her older brother Armando is an English teacher who is heading for divorce from his wife Marga and their two children ignore him openly; her sister Violeta works as interpreter at conferences and feels displaced by her young partners and fears that she'll be fired because of it; her daughter Lidia lives in Manchester raising her baby sons alone after her husband leaves; her father Antonio, an aging widower who still deeply mourns his wife two years after her death, says he can't live alone in his own house anymore and wants to move in with her; and her boyfriend Rafa is too busy with work to really listen to her when she needs to talk. Overwhelmed, Rosa travels to her birth town Benicassim to visit her mother's former tailor shop. Dreaming of a new life of freedom and happiness, Rosa decides to reopen the shop--and marry herself. While Armando and Violeta frantically search for Rosa when they realize she's gone, Lidia return to Spain with the twins and finds Rosa's house empty of Rosa and her furniture. Realizing where she is Armando, Violeta, and Lidia travel to Benicassim and discover Rosa's intention to marry. Assuming that she's about to marry Rafa, Armando consults a wedding planner, determined to give Rosa a stylish wedding; the news quickly spreads through the town. With Lidia feeling like a stranger to her mother, Violeta receiving bad news about her job, and Armando planning to sell the tailor shop to make extensions to his school, Rosa looks for a way to explain her true intentions before her own wedding gets out of hand.
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Emotional fingerprint
Rosa's Wedding (2020) — Movie. Top emotional signals: Joy 32%, Humor 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Joy, Humor, Empathy. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Joy, Humor and Empathy. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Inspiration
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Empathy
Dominant emotion: Inspiration
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Inspiration | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 35 % | 25 % | 10 % | 15 % |
| 7.5 % | ≈ 8′ | Empathy | 43 % | 39 % | 6 % | 9 % |
| 12.5 % | ≈ 13′ | Empathy | 48 % | 46 % | 9 % | 5 % |
| 17.5 % | ≈ 18′ | Empathy | 46 % | 43 % | 11 % | 5 % |
| 22.5 % | ≈ 23′ | Empathy | 46 % | 40 % | 18 % | 10 % |
| 27.5 % | ≈ 28′ | Inspiration | 50 % | 41 % | 36 % | 19 % |
| 32.5 % | ≈ 33′ | Inspiration | 51 % | 41 % | 44 % | 25 % |
| 37.5 % | ≈ 38′ | Joy | 49 % | 40 % | 36 % | 27 % |
| 42.5 % | ≈ 43′ | Empathy | 51 % | 46 % | 31 % | 21 % |
| 47.5 % | ≈ 48′ | Empathy | 55 % | 51 % | 25 % | 13 % |
| 52.5 % | ≈ 53′ | Tension | 54 % | 48 % | 24 % | 9 % |
| 57.5 % | ≈ 58′ | Empathy | 59 % | 52 % | 39 % | 8 % |
| 62.5 % | ≈ 63′ | Empathy | 69 % | 65 % | 44 % | 9 % |
| 67.5 % | ≈ 68′ | Empathy | 69 % | 66 % | 25 % | 14 % |
| 72.5 % | ≈ 73′ | Empathy | 64 % | 59 % | 14 % | 18 % |
| 77.5 % | ≈ 78′ | Tension | 65 % | 59 % | 26 % | 16 % |
| 82.5 % | ≈ 83′ | Empathy | 73 % | 65 % | 54 % | 30 % |
| 87.5 % | ≈ 88′ | Inspiration | 79 % | 63 % | 73 % | 57 % |
| 92.5 % | ≈ 93′ | Joy | 78 % | 55 % | 72 % | 70 % |
| 97.5 % | ≈ 98′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Lidia
Rafa
Marga
Lolín
Laura
Ana
Town Councillor
Abogada
Carlos (Armando's Son)
Ana (Armando's Daughter)
Nurse
Actress 1
Actress 2
Actress 3
Bride In Mirror
Producer
Details
- Directed by
- Icíar Bollaín
- Written by
- Icíar Bollaín, Alicia Luna, Lina Badenes
- Type
- Movies
- Released
- 2020
- Runtime
- 100 min
- Country
- Spain, France
- Genres
- Comedy
- Ratings
- Feels mostly
- Joy
- Data updated
Where to watch
Rent
Data: JustWatch
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