Homecoming: A Film by Beyoncé
2019 · 137 min · Director: Beyoncé, Ed Burke
Show plot summary (may contain spoilers)
This intimate, in-depth look at Beyoncé's celebrated 2018 Coachella performance reveals the emotional road from creative concept to cultural movement.
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Emotional fingerprint
Homecoming: A Film by Beyoncé (2019) — Movie. Top emotional signals: Awe 35%, Excitement 25%, Inspiration 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Awe35%
- Excitement25%
- Inspiration20%
- Love10%
- Nostalgia10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Awe, Excitement, Inspiration. Genres: Documentary, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Awe, Excitement and Inspiration. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Joy
- Excitement
- Inspiration
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Excitement
Dominant emotion: Inspiration
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Excitement | Inspiration |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Excitement | 72 % | 57 % | 70 % | 28 % |
| 7.5 % | ≈ 10′ | Excitement | 66 % | 50 % | 61 % | 41 % |
| 12.5 % | ≈ 17′ | Inspiration | 63 % | 45 % | 55 % | 46 % |
| 17.5 % | ≈ 24′ | Excitement | 61 % | 43 % | 53 % | 41 % |
| 22.5 % | ≈ 31′ | Inspiration | 59 % | 39 % | 49 % | 43 % |
| 27.5 % | ≈ 38′ | Excitement | 61 % | 38 % | 46 % | 41 % |
| 32.5 % | ≈ 45′ | Empathy | 65 % | 36 % | 40 % | 40 % |
| 37.5 % | ≈ 51′ | Inspiration | 64 % | 43 % | 42 % | 39 % |
| 42.5 % | ≈ 58′ | Excitement | 65 % | 53 % | 53 % | 39 % |
| 47.5 % | ≈ 65′ | Inspiration | 66 % | 44 % | 49 % | 44 % |
| 52.5 % | ≈ 72′ | Sadness | 61 % | 26 % | 44 % | 31 % |
| 57.5 % | ≈ 79′ | Excitement | 56 % | 25 % | 44 % | 24 % |
| 62.5 % | ≈ 86′ | Inspiration | 58 % | 38 % | 46 % | 31 % |
| 67.5 % | ≈ 92′ | Excitement | 63 % | 49 % | 53 % | 35 % |
| 72.5 % | ≈ 99′ | Inspiration | 68 % | 51 % | 53 % | 51 % |
| 77.5 % | ≈ 106′ | Inspiration | 73 % | 53 % | 57 % | 63 % |
| 82.5 % | ≈ 113′ | Excitement | 73 % | 57 % | 68 % | 46 % |
| 87.5 % | ≈ 120′ | Excitement | 71 % | 63 % | 63 % | 38 % |
| 92.5 % | ≈ 127′ | Joy | 75 % | 69 % | 54 % | 48 % |
| 97.5 % | ≈ 134′ | Joy | 77 % | 73 % | 55 % | 47 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Self - Special Guest
Self - Special Guest
Self
Self
Self
Self
Self
Self
Self
Self - Band
Self - Band
Self - Band
Details
- Directed by
- Beyoncé, Ed Burke
- Written by
- Beyoncé
- Type
- Movies
- Released
- 2019
- Runtime
- 137 min
- Country
- United States
- Genres
- Documentary, Music
- Ratings
- Feels mostly
- Awe
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





