feeldb

Cinderella

2021 · 112 min · Director: Kay Cannon ★ IMDb 4.4 · 51,024 ratings

Show plot summary (may contain spoilers)

A modern movie musical with a bold take on the classic fairy tale. Our ambitious heroine has big dreams and with the help of her fab Godmother, she perseveres to make them come true.

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Emotional fingerprint

Cinderella (2021) — Movie. Top emotional signals: Joy 30%, Excitement 25%, Humor 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

30%Joy
20%Humor
  1. Joy30%
  2. Humor20%
  3. Love10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Joy, Excitement, Humor. Genres: Comedy, Fantasy, Family. AI estimate.

Is it worth watching?

Consider this title if you are looking for Joy, Excitement and Humor. Its IMDb rating of 4.4/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 54/100.

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Emotional journey

AI · from subtitles
  • Hope
  • Joy
  • Humor

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Joy

Dominant emotion: Hope

Dominant emotion: Humor

Dominant emotion: Sadness

Dominant emotion: Tension

Hope
Joy
Humor
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 13 %, then peaks around 88 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityHopeJoyHumor
2.5 %≈ 3′Joy45 %35 %33 %28 %
7.5 %≈ 8′Hope45 %40 %26 %30 %
12.5 %≈ 14′Hope45 %35 %20 %35 %
17.5 %≈ 20′Humor45 %28 %16 %35 %
22.5 %≈ 25′Hope45 %29 %18 %35 %
27.5 %≈ 31′Humor48 %33 %24 %40 %
32.5 %≈ 36′Hope53 %38 %25 %36 %
37.5 %≈ 42′Sadness59 %44 %29 %31 %
42.5 %≈ 48′Hope64 %51 %44 %41 %
47.5 %≈ 53′Humor63 %53 %50 %50 %
52.5 %≈ 59′Hope60 %46 %49 %49 %
57.5 %≈ 64′Joy61 %38 %46 %43 %
62.5 %≈ 70′Joy64 %28 %31 %34 %
67.5 %≈ 76′Tension65 %16 %16 %29 %
72.5 %≈ 81′Sadness65 %10 %13 %24 %
77.5 %≈ 87′Sadness65 %23 %14 %25 %
82.5 %≈ 92′Hope69 %49 %33 %38 %
87.5 %≈ 98′Joy75 %59 %63 %41 %
92.5 %≈ 104′Joy71 %53 %64 %25 %
97.5 %≈ 109′Hope62 %52 %45 %8 %
Cinderella

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

Idina Menzel

Vivian

Pierce Brosnan

King Rowan

Minnie Driver

Queen Beatrice

TG
Tallulah Greive

Princess Gwen

MB
Maddie Baillio

Malvolia

CS
Charlotte Spencer

Narissa

JA
James Acaster

John

RR
Romesh Ranganathan

Romesh

RB
Rob Beckett

Thomas Cecil

BB
Ben Bailey Smith

Town Crier

LL
Luke Latchman

Griff

FF
Fra Fee

Hench

JL
Jenet Le Lacheur

Count Wilbur

MH
Mary Higgins

Princess Laura

BK
Beverley Knight

Queen Tatiana

NP
Natasha Patel

Princess Natasha

Details

Directed by
Kay Cannon
Written by
Kay Cannon
Type
Movies
Released
2021
Runtime
112 min
Country
United States, United Kingdom
Ratings
★ IMDb 4.4 · 51,024 ratings
Feels mostly
Joy
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.