The Other Woman
2009 · 98 min · Director: Don Roos
Show plot summary (may contain spoilers)
The story of a woman dealing with her infant daughter's death while trying to keep her marriage and her relationship with her stepson.
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Emotional fingerprint
The Other Woman (2009) — Movie. Top emotional signals: Sadness 40%, Empathy 25%, Melancholy 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness40%
- Empathy25%
- Melancholy15%
- Love10%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Melancholy. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Melancholy. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Hope
Dominant emotion: Empathy
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Sadness | 30 % | 18 % | 17 % | 18 % |
| 7.5 % | ≈ 7′ | Tension | 34 % | 21 % | 24 % | 23 % |
| 12.5 % | ≈ 12′ | Sadness | 39 % | 25 % | 30 % | 24 % |
| 17.5 % | ≈ 17′ | Hope | 40 % | 26 % | 28 % | 21 % |
| 22.5 % | ≈ 22′ | Sadness | 38 % | 25 % | 24 % | 19 % |
| 27.5 % | ≈ 27′ | Empathy | 36 % | 24 % | 25 % | 23 % |
| 32.5 % | ≈ 32′ | Sadness | 44 % | 29 % | 34 % | 35 % |
| 37.5 % | ≈ 37′ | Tension | 53 % | 36 % | 44 % | 38 % |
| 42.5 % | ≈ 42′ | Sadness | 55 % | 45 % | 49 % | 25 % |
| 47.5 % | ≈ 47′ | Sadness | 49 % | 38 % | 44 % | 18 % |
| 52.5 % | ≈ 51′ | Hope | 41 % | 23 % | 35 % | 24 % |
| 57.5 % | ≈ 56′ | Tension | 49 % | 34 % | 39 % | 40 % |
| 62.5 % | ≈ 61′ | Sadness | 64 % | 56 % | 50 % | 50 % |
| 67.5 % | ≈ 66′ | Sadness | 72 % | 66 % | 56 % | 54 % |
| 72.5 % | ≈ 71′ | Sadness | 81 % | 75 % | 65 % | 68 % |
| 77.5 % | ≈ 76′ | Sadness | 89 % | 85 % | 76 % | 70 % |
| 82.5 % | ≈ 81′ | Sadness | 86 % | 81 % | 78 % | 51 % |
| 87.5 % | ≈ 86′ | Relief | 76 % | 63 % | 70 % | 32 % |
| 92.5 % | ≈ 91′ | Hope | 66 % | 42 % | 63 % | 18 % |
| 97.5 % | ≈ 96′ | Empathy | 63 % | 37 % | 62 % | 8 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
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