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The Fantastic Journey of Margot & Marguerite

2020 · 89 min · Director: Pierre Coré ★ IMDb 6.1 · 382 ratings

Show plot summary (may contain spoilers)

Aimed at the children's market , "l'aventure des Marguerite " borrows a lot from other works , such as "pleasant ville" and countless others ; it suffers accordingly.That said, can it appeal to a young audience? Perhaps so,but only partially : the part taking place during the occupation is ,in spite of numerous implausibilities, by far the best .The modern Marguerite hints at "la grande vadrouille" and the occupied France is as accurate and as plausible as Gérard Oury's world. The exodus , when the French were running away from the German armies took place two years before (and not in 1942);Hemingway was not in France at the time ,he fought in Spain and came back at the end of WW2.But if you forget history ,this half is pleasant enough: it's like a fairytale ,after all , as the trick of the trunk shows :so why wouldn't Marguerite help Ernest Hemingway work on "the old man and the sea"? As the resistant fighters networks were top secret , talking about them in a loud voice in a café is comic indeed. The escape from the detention camp takes the biscuit : dad is discouraged , waiting,waiting , but girlie comes to cheer him up ,and voilà! A plane pursuedby an officer whose shots are in vain (an escape which recalls "la grande vadrouille")On the other hand, the part in modern times is ponderous and even crude (the burps competition) : with the bland long-haired boy ,who seems himself an anachronism (he looks like a seventies kid), it's really derivative (the girl whose father has left home and is replaced by a surly stepdad ) .Only the meeting with the old lady (played by Genevieve Casile ,essentially a stage actress who performed all the classics) ,a trick used often before (Ellen Burstyn in "interstellar",Teresa Wright in "somewhere in time" ) , makes up for the paucity of this half-screenplay.Half a pleasant movie ,you make it on the percentages ,but lose out on the bonuses : but on a rainy day,it's always useful.

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Emotional fingerprint

The Fantastic Journey of Margot & Marguerite (2020) — Movie. Top emotional signals: Happiness 30%, Excitement 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Hope10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Happiness, Excitement, Empathy. Genres: Comedy, Fantasy, Family. AI estimate.

Is it worth watching?

Consider this title if you are looking for Happiness, Excitement and Empathy. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.

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Emotional journey

AI · from subtitles
  • Humor
  • Relief
  • Curiosity

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Sadness

Dominant emotion: Humor

Dominant emotion: Curiosity

Dominant emotion: Tension

Dominant emotion: Relief

Humor
Relief
Curiosity
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 8 %, then peaks around 83 %, then dips around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityHumorReliefCuriosity
2.5 %≈ 2′Sadness52 %32 %0 %30 %
7.5 %≈ 7′Humor51 %43 %3 %31 %
12.5 %≈ 11′Humor53 %48 %5 %41 %
17.5 %≈ 16′Curiosity59 %51 %5 %56 %
22.5 %≈ 20′Curiosity61 %53 %8 %63 %
27.5 %≈ 24′Curiosity61 %51 %9 %57 %
32.5 %≈ 29′Humor60 %54 %5 %43 %
37.5 %≈ 33′Humor55 %54 %4 %33 %
42.5 %≈ 38′Humor55 %55 %6 %39 %
47.5 %≈ 42′Humor60 %54 %11 %40 %
52.5 %≈ 47′Sadness64 %46 %20 %30 %
57.5 %≈ 51′Tension61 %45 %23 %26 %
62.5 %≈ 56′Humor59 %49 %19 %26 %
67.5 %≈ 60′Tension65 %44 %25 %26 %
72.5 %≈ 65′Sadness71 %30 %33 %28 %
77.5 %≈ 69′Sadness75 %26 %35 %31 %
82.5 %≈ 73′Tension76 %33 %48 %40 %
87.5 %≈ 78′Relief74 %39 %63 %39 %
92.5 %≈ 82′Relief68 %40 %61 %29 %
97.5 %≈ 87′Relief58 %32 %48 %27 %
Cinderella

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

LG
Lila Gueneau

AP
Alice Pol

Tante Alice

Clovis Cornillac

Laurent / Marcel

FD
Frédéric Deleersnyder

Contrôleur de gare

Wladimir Yordanoff

Le grand-père

NT
Niseema Theillaud

La grand-mère

Details

Directed by
Pierre Coré
Written by
Stéphane Kazandjian, Pierre Coré, Vincent Cuvellier, Benoît Robin, Alexandre Coffre
Type
Movies
Released
2020
Runtime
89 min
Country
France
Ratings
★ IMDb 6.1 · 382 ratings
Feels mostly
Happiness
Data updated

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Emotion overlap shows mood similarity, not a prediction of enjoyment.