The Fantastic Journey of Margot & Marguerite
2020 · 89 min · Director: Pierre Coré
Show plot summary (may contain spoilers)
Aimed at the children's market , "l'aventure des Marguerite " borrows a lot from other works , such as "pleasant ville" and countless others ; it suffers accordingly.That said, can it appeal to a young audience? Perhaps so,but only partially : the part taking place during the occupation is ,in spite of numerous implausibilities, by far the best .The modern Marguerite hints at "la grande vadrouille" and the occupied France is as accurate and as plausible as Gérard Oury's world. The exodus , when the French were running away from the German armies took place two years before (and not in 1942);Hemingway was not in France at the time ,he fought in Spain and came back at the end of WW2.But if you forget history ,this half is pleasant enough: it's like a fairytale ,after all , as the trick of the trunk shows :so why wouldn't Marguerite help Ernest Hemingway work on "the old man and the sea"? As the resistant fighters networks were top secret , talking about them in a loud voice in a café is comic indeed. The escape from the detention camp takes the biscuit : dad is discouraged , waiting,waiting , but girlie comes to cheer him up ,and voilà! A plane pursuedby an officer whose shots are in vain (an escape which recalls "la grande vadrouille")On the other hand, the part in modern times is ponderous and even crude (the burps competition) : with the bland long-haired boy ,who seems himself an anachronism (he looks like a seventies kid), it's really derivative (the girl whose father has left home and is replaced by a surly stepdad ) .Only the meeting with the old lady (played by Genevieve Casile ,essentially a stage actress who performed all the classics) ,a trick used often before (Ellen Burstyn in "interstellar",Teresa Wright in "somewhere in time" ) , makes up for the paucity of this half-screenplay.Half a pleasant movie ,you make it on the percentages ,but lose out on the bonuses : but on a rainy day,it's always useful.
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Emotional fingerprint
The Fantastic Journey of Margot & Marguerite (2020) — Movie. Top emotional signals: Happiness 30%, Excitement 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Happiness30%
- Excitement25%
- Empathy20%
- Surprise15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Happiness, Excitement, Empathy. Genres: Comedy, Fantasy, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Happiness, Excitement and Empathy. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Relief
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Relief | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Sadness | 52 % | 32 % | 0 % | 30 % |
| 7.5 % | ≈ 7′ | Humor | 51 % | 43 % | 3 % | 31 % |
| 12.5 % | ≈ 11′ | Humor | 53 % | 48 % | 5 % | 41 % |
| 17.5 % | ≈ 16′ | Curiosity | 59 % | 51 % | 5 % | 56 % |
| 22.5 % | ≈ 20′ | Curiosity | 61 % | 53 % | 8 % | 63 % |
| 27.5 % | ≈ 24′ | Curiosity | 61 % | 51 % | 9 % | 57 % |
| 32.5 % | ≈ 29′ | Humor | 60 % | 54 % | 5 % | 43 % |
| 37.5 % | ≈ 33′ | Humor | 55 % | 54 % | 4 % | 33 % |
| 42.5 % | ≈ 38′ | Humor | 55 % | 55 % | 6 % | 39 % |
| 47.5 % | ≈ 42′ | Humor | 60 % | 54 % | 11 % | 40 % |
| 52.5 % | ≈ 47′ | Sadness | 64 % | 46 % | 20 % | 30 % |
| 57.5 % | ≈ 51′ | Tension | 61 % | 45 % | 23 % | 26 % |
| 62.5 % | ≈ 56′ | Humor | 59 % | 49 % | 19 % | 26 % |
| 67.5 % | ≈ 60′ | Tension | 65 % | 44 % | 25 % | 26 % |
| 72.5 % | ≈ 65′ | Sadness | 71 % | 30 % | 33 % | 28 % |
| 77.5 % | ≈ 69′ | Sadness | 75 % | 26 % | 35 % | 31 % |
| 82.5 % | ≈ 73′ | Tension | 76 % | 33 % | 48 % | 40 % |
| 87.5 % | ≈ 78′ | Relief | 74 % | 39 % | 63 % | 39 % |
| 92.5 % | ≈ 82′ | Relief | 68 % | 40 % | 61 % | 29 % |
| 97.5 % | ≈ 87′ | Relief | 58 % | 32 % | 48 % | 27 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
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Cast
Details
- Directed by
- Pierre Coré
- Written by
- Stéphane Kazandjian, Pierre Coré, Vincent Cuvellier, Benoît Robin, Alexandre Coffre
- Type
- Movies
- Released
- 2020
- Runtime
- 89 min
- Country
- France
- Ratings
- Feels mostly
- Happiness
- Data updated
Feels similar
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