Lost Bullet
2020 · 92 min · Director: Guillaume Pierret
Show plot summary (may contain spoilers)
A small time delinquent, turned police mechanic for a go fast task force, is forced to defend his innocence when his mentor is killed by dirty cops.
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Emotional fingerprint
Lost Bullet (2020) — Movie. Top emotional signals: Excitement 35%, Tension 30%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement35%
- Tension30%
- Anxiety20%
- Anger10%
- Relief5%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Tension, Anxiety. Genres: Thriller, Crime, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Tension and Anxiety. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 62 % | 60 % | 37 % | 27 % |
| 7.5 % | ≈ 7′ | Tension | 53 % | 46 % | 36 % | 19 % |
| 12.5 % | ≈ 12′ | Curiosity | 45 % | 26 % | 33 % | 8 % |
| 17.5 % | ≈ 16′ | Hope | 55 % | 31 % | 31 % | 15 % |
| 22.5 % | ≈ 21′ | Tension | 70 % | 60 % | 38 % | 38 % |
| 27.5 % | ≈ 25′ | Tension | 75 % | 75 % | 40 % | 45 % |
| 32.5 % | ≈ 30′ | Tension | 75 % | 74 % | 35 % | 43 % |
| 37.5 % | ≈ 35′ | Tension | 73 % | 70 % | 40 % | 38 % |
| 42.5 % | ≈ 39′ | Tension | 65 % | 63 % | 48 % | 28 % |
| 47.5 % | ≈ 44′ | Tension | 61 % | 57 % | 48 % | 26 % |
| 52.5 % | ≈ 48′ | Tension | 69 % | 64 % | 51 % | 38 % |
| 57.5 % | ≈ 53′ | Tension | 73 % | 68 % | 51 % | 41 % |
| 62.5 % | ≈ 58′ | Tension | 66 % | 63 % | 43 % | 34 % |
| 67.5 % | ≈ 62′ | Tension | 66 % | 65 % | 38 % | 34 % |
| 72.5 % | ≈ 67′ | Tension | 73 % | 71 % | 36 % | 38 % |
| 77.5 % | ≈ 71′ | Tension | 78 % | 75 % | 29 % | 45 % |
| 82.5 % | ≈ 76′ | Tension | 81 % | 80 % | 23 % | 59 % |
| 87.5 % | ≈ 81′ | Tension | 73 % | 71 % | 25 % | 51 % |
| 92.5 % | ≈ 85′ | Tension | 57 % | 53 % | 27 % | 30 % |
| 97.5 % | ≈ 90′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Quentin
Kad
Jacques
Jeff
BAC Police Officer
Police Officer
Details
- Directed by
- Guillaume Pierret
- Written by
- Kamel Guemra, Guillaume Pierret, Alban Lenoir
- Type
- Movies
- Released
- 2020
- Runtime
- 92 min
- Country
- France
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





