Dara of Jasenovac
2020 · 130 min · Director: Predrag Antonijevic
Show plot summary (may contain spoilers)
The film is set in the Nazi-occupied Croatian Ustasha regime "NDH" in former Yugoslavia during WWII. The film is told through the experiences of a little girl named Dara who is sent as a child during the Holocaust in the Balkans to the infamous extermination camp complex Jasenovac, also known as "Balkan's Auschwitz", when it was ruled by sadistic camp commander Maks Luburic until the liberation. The film is the first modern WWII movie that takes place in or shows this NDH era camp.
Emotional fingerprint
Dara of Jasenovac (2020) — Movie. Top emotional signals: Sadness 35%, Disturbing 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Disturbing25%
- Empathy20%
- Anxiety15%
- Relief5%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Disturbing, Empathy. Genres: Drama, War. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Disturbing and Empathy. Its IMDb rating of 8.0/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 75/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Disturbing
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Disturbing | 65 % | 45 % | 40 % | 55 % |
| 7.5 % | ≈ 10′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 12.5 % | ≈ 16′ | Empathy | 73 % | 60 % | 65 % | 67 % |
| 17.5 % | ≈ 23′ | Sadness | 80 % | 68 % | 64 % | 68 % |
| 22.5 % | ≈ 29′ | Disturbing | 88 % | 75 % | 68 % | 71 % |
| 27.5 % | ≈ 36′ | Sadness | 91 % | 83 % | 80 % | 76 % |
| 32.5 % | ≈ 42′ | Sadness | 91 % | 84 % | 88 % | 76 % |
| 37.5 % | ≈ 49′ | Empathy | 88 % | 76 % | 85 % | 74 % |
| 42.5 % | ≈ 55′ | Sadness | 85 % | 73 % | 81 % | 73 % |
| 47.5 % | ≈ 62′ | Empathy | 86 % | 73 % | 81 % | 76 % |
| 52.5 % | ≈ 68′ | Sadness | 89 % | 78 % | 84 % | 79 % |
| 57.5 % | ≈ 75′ | Sadness | 88 % | 81 % | 84 % | 74 % |
| 62.5 % | ≈ 81′ | Sadness | 85 % | 79 % | 84 % | 73 % |
| 67.5 % | ≈ 88′ | Empathy | 88 % | 79 % | 86 % | 80 % |
| 72.5 % | ≈ 94′ | Sadness | 88 % | 74 % | 85 % | 77 % |
| 77.5 % | ≈ 101′ | Empathy | 85 % | 61 % | 78 % | 69 % |
| 82.5 % | ≈ 107′ | Disturbing | 88 % | 58 % | 74 % | 76 % |
| 87.5 % | ≈ 114′ | Tension | 90 % | 63 % | 81 % | 84 % |
| 92.5 % | ≈ 120′ | Empathy | 90 % | 65 % | 88 % | 80 % |
| 97.5 % | ≈ 127′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Dara of Jasenovac. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Vjekoslav 'Maks' Luburić
Fra Majstorović
Ante Vrban
Radojka
Čovek koji je odbijen da uđe u voz
Mileva
Stjepan
Nemački oficir
Vera Stanić
Nada Sakić
Jovo Ilić
Bogdan
Rade
Brana
Mirjana
Jaša
Details
- Directed by
- Predrag Antonijevic
- Written by
- Natasa Drakulic, Tihomir Stanic, Stasa Petrovic
- Type
- Movies
- Released
- 2020
- Runtime
- 130 min
- Country
- Serbia
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Rent
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