The Forest of Love
2019 · 151 min · Director: Sion Sono
Show plot summary (may contain spoilers)
A small group of student filmmakers and a shy young girl with strict parents are simultaneously manipulated, seduced and abused by an older man. They follow his bidding, even when murder is involved.
Emotional fingerprint
The Forest of Love (2019) — Movie. Top emotional signals: Disturbing 35%, Anxiety 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Disturbing35%
- Anxiety25%
- Fear20%
- Confusion10%
- Tension10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Disturbing, Anxiety, Fear. Genres: Drama, Crime, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Disturbing, Anxiety and Fear. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Disturbing
- Tension
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Disturbing | Tension | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Curiosity | 50 % | 28 % | 35 % | 20 % |
| 7.5 % | ≈ 11′ | Sadness | 49 % | 29 % | 35 % | 33 % |
| 12.5 % | ≈ 19′ | Sadness | 46 % | 25 % | 35 % | 34 % |
| 17.5 % | ≈ 26′ | Curiosity | 51 % | 30 % | 42 % | 31 % |
| 22.5 % | ≈ 34′ | Tension | 61 % | 43 % | 55 % | 41 % |
| 27.5 % | ≈ 42′ | Tension | 61 % | 48 % | 56 % | 41 % |
| 32.5 % | ≈ 49′ | Disturbing | 59 % | 51 % | 55 % | 29 % |
| 37.5 % | ≈ 57′ | Tension | 63 % | 57 % | 60 % | 20 % |
| 42.5 % | ≈ 64′ | Disturbing | 63 % | 55 % | 59 % | 16 % |
| 47.5 % | ≈ 72′ | Curiosity | 57 % | 46 % | 51 % | 23 % |
| 52.5 % | ≈ 79′ | Sadness | 58 % | 48 % | 51 % | 36 % |
| 57.5 % | ≈ 87′ | Tension | 70 % | 65 % | 66 % | 41 % |
| 62.5 % | ≈ 94′ | Disturbing | 84 % | 83 % | 80 % | 40 % |
| 67.5 % | ≈ 102′ | Disturbing | 83 % | 83 % | 75 % | 38 % |
| 72.5 % | ≈ 109′ | Disturbing | 79 % | 77 % | 69 % | 41 % |
| 77.5 % | ≈ 117′ | Disturbing | 80 % | 76 % | 69 % | 55 % |
| 82.5 % | ≈ 125′ | Sadness | 80 % | 76 % | 68 % | 60 % |
| 87.5 % | ≈ 132′ | Disturbing | 84 % | 81 % | 76 % | 54 % |
| 92.5 % | ≈ 140′ | Tension | 81 % | 76 % | 79 % | 45 % |
| 97.5 % | ≈ 147′ | Tension | 70 % | 62 % | 67 % | 37 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about The Forest of Love. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Jay
Mitsuko Ozawa
Ami Ozawa
Azumi Ozawa
Eiko
Fukami
Machiko
Manami
Aina
Haruko Sato
Movie Maker Crew
Goto
Movie Maker Crew
Violinist
Details
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
