Miami Bici
2020 · 98 min · Director: Jesús del Cerro
Show plot summary (may contain spoilers)
Miami Bici is the story of Ion and Ilie, two young people from a small dark city in Romania who go to Miami in the middle of winter, to live both the "American Dream" and the Romanian dream of "getting rich quick". Once there, they find themselves in the middle of the Machiavellian plan of Misu, a Romanian of the lowest species, established in Florida.
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Emotional fingerprint
Miami Bici (2020) — Movie. Top emotional signals: Humor 35%, Excitement 25%, Smile 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Excitement25%
- Smile20%
- Relief10%
- Tension10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Smile. Genres: Comedy, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Smile. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Surprise
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion: Surprise
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Surprise |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 52 % | 52 % | 13 % | 15 % |
| 7.5 % | ≈ 7′ | Humor | 53 % | 53 % | 11 % | 16 % |
| 12.5 % | ≈ 12′ | Humor | 60 % | 60 % | 11 % | 20 % |
| 17.5 % | ≈ 17′ | Humor | 64 % | 63 % | 11 % | 23 % |
| 22.5 % | ≈ 22′ | Humor | 64 % | 61 % | 11 % | 23 % |
| 27.5 % | ≈ 27′ | Humor | 68 % | 64 % | 24 % | 28 % |
| 32.5 % | ≈ 32′ | Humor | 68 % | 60 % | 39 % | 31 % |
| 37.5 % | ≈ 37′ | Humor | 61 % | 53 % | 36 % | 28 % |
| 42.5 % | ≈ 42′ | Humor | 58 % | 53 % | 28 % | 24 % |
| 47.5 % | ≈ 47′ | Humor | 60 % | 59 % | 26 % | 23 % |
| 52.5 % | ≈ 51′ | Humor | 64 % | 63 % | 34 % | 24 % |
| 57.5 % | ≈ 56′ | Humor | 64 % | 59 % | 43 % | 24 % |
| 62.5 % | ≈ 61′ | Humor | 61 % | 51 % | 44 % | 24 % |
| 67.5 % | ≈ 66′ | Humor | 63 % | 46 % | 49 % | 28 % |
| 72.5 % | ≈ 71′ | Tension | 66 % | 44 % | 56 % | 32 % |
| 77.5 % | ≈ 76′ | Sympathy | 69 % | 41 % | 56 % | 42 % |
| 82.5 % | ≈ 81′ | Surprise | 71 % | 41 % | 51 % | 50 % |
| 87.5 % | ≈ 86′ | Relief | 74 % | 46 % | 51 % | 46 % |
| 92.5 % | ≈ 91′ | Tension | 76 % | 54 % | 63 % | 48 % |
| 97.5 % | ≈ 96′ | Relief | 77 % | 58 % | 68 % | 53 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Iulia Pană
Juanita
New Romanian #2
Detective Jacky Lin
Svetlana
Pablo - Restaurant Owner
Details
- Directed by
- Jesús del Cerro
- Written by
- Alex Cotet
- Type
- Movies
- Released
- 2020
- Runtime
- 98 min
- Country
- Romania
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





