The Duke
2020 · 96 min · Director: Roger Michell
Show plot summary (may contain spoilers)
In 1961, Kempton Bunton, a 60 year old taxi driver, stole Goya's portrait of the Duke of Wellington from the National Gallery in London. He sent ransom notes saying that he would return the painting on condition that the government invested more in care for the elderly. What happened next became the stuff of legend. An uplifting true story about a good man who set out to change the world and managed to save his marriage.
Emotional fingerprint
The Duke (2020) — Movie. Top emotional signals: Humor 30%, Empathy 25%, Satisfaction 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Empathy25%
- Satisfaction20%
- Nostalgia15%
- Joy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Satisfaction. Genres: Comedy, Crime, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Satisfaction. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Humor
- Relief
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Relief | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 38 % | 38 % | 2 % | 13 % |
| 7.5 % | ≈ 7′ | Humor | 39 % | 39 % | 3 % | 16 % |
| 12.5 % | ≈ 12′ | Humor | 35 % | 33 % | 5 % | 20 % |
| 17.5 % | ≈ 17′ | Humor | 34 % | 28 % | 8 % | 25 % |
| 22.5 % | ≈ 22′ | Humor | 37 % | 33 % | 5 % | 24 % |
| 27.5 % | ≈ 26′ | Humor | 46 % | 33 % | 3 % | 26 % |
| 32.5 % | ≈ 31′ | Sadness | 54 % | 25 % | 3 % | 39 % |
| 37.5 % | ≈ 36′ | Sadness | 51 % | 30 % | 5 % | 40 % |
| 42.5 % | ≈ 41′ | Humor | 46 % | 35 % | 6 % | 33 % |
| 47.5 % | ≈ 46′ | Tension | 44 % | 30 % | 3 % | 27 % |
| 52.5 % | ≈ 50′ | Humor | 44 % | 31 % | 3 % | 23 % |
| 57.5 % | ≈ 55′ | Humor | 51 % | 34 % | 6 % | 26 % |
| 62.5 % | ≈ 60′ | Tension | 59 % | 34 % | 6 % | 40 % |
| 67.5 % | ≈ 65′ | Humor | 57 % | 39 % | 5 % | 44 % |
| 72.5 % | ≈ 70′ | Tension | 58 % | 44 % | 6 % | 43 % |
| 77.5 % | ≈ 74′ | Empathy | 60 % | 46 % | 11 % | 50 % |
| 82.5 % | ≈ 79′ | Humor | 64 % | 44 % | 31 % | 54 % |
| 87.5 % | ≈ 84′ | Relief | 68 % | 38 % | 55 % | 51 % |
| 92.5 % | ≈ 89′ | Relief | 63 % | 35 % | 58 % | 48 % |
| 97.5 % | ≈ 94′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Irene Boslover
Debbie
Foreman
Woman with Babe
Post Office Clerk
PO Official #1
PO Official #2
Barry Spence
Press Woman
Details
- Directed by
- Roger Michell
- Written by
- Richard Bean, Clive Coleman
- Type
- Movies
- Released
- 2020
- Runtime
- 96 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Subscription
Rent
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