Transporter 3
2008 · 104 min · Director: Olivier Megaton
Show plot summary (may contain spoilers)
Toxic waste bubbles in a ship waiting permission to dock in Odessa. Frank Martin turns down a job in Marseilles, referring it to a pal. A short time later, the pal, wounded by gunfire, crashes his car into Frank's living room and dies, leaving a young woman in the back seat. The employer of the dead man shows up, forces Frank to take the job, snaps a bracelet on his wrist that will explode if Frank gets more than 75 feet from his car, and sends Frank on a journey east with the young woman and a trunk full of something. She's Valentina, nearly mute. Can Frank figure out what's going on, deliver the package, and escape alive? And what does the ship have to do with it?
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Emotional fingerprint
Transporter 3 (2008) — Movie. Top emotional signals: Excitement 32%, Tension 25%, Surprise 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement32%
- Tension25%
- Surprise18%
- Humor15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Tension, Surprise. Genres: Thriller, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Tension and Surprise. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 50 % | 42 % | 52 % | 0 % |
| 7.5 % | ≈ 8′ | Curiosity | 50 % | 41 % | 49 % | 3 % |
| 12.5 % | ≈ 13′ | Tension | 61 % | 57 % | 50 % | 5 % |
| 17.5 % | ≈ 18′ | Tension | 71 % | 71 % | 51 % | 3 % |
| 22.5 % | ≈ 23′ | Tension | 69 % | 69 % | 46 % | 0 % |
| 27.5 % | ≈ 29′ | Tension | 59 % | 56 % | 41 % | 0 % |
| 32.5 % | ≈ 34′ | Curiosity | 51 % | 46 % | 38 % | 3 % |
| 37.5 % | ≈ 39′ | Tension | 56 % | 54 % | 38 % | 5 % |
| 42.5 % | ≈ 44′ | Tension | 61 % | 60 % | 41 % | 4 % |
| 47.5 % | ≈ 49′ | Tension | 56 % | 53 % | 36 % | 4 % |
| 52.5 % | ≈ 55′ | Tension | 60 % | 56 % | 25 % | 4 % |
| 57.5 % | ≈ 60′ | Tension | 68 % | 63 % | 21 % | 3 % |
| 62.5 % | ≈ 65′ | Love | 61 % | 51 % | 29 % | 8 % |
| 67.5 % | ≈ 70′ | Love | 60 % | 50 % | 35 % | 16 % |
| 72.5 % | ≈ 75′ | Tension | 74 % | 69 % | 31 % | 16 % |
| 77.5 % | ≈ 81′ | Tension | 84 % | 83 % | 29 % | 11 % |
| 82.5 % | ≈ 86′ | Tension | 84 % | 84 % | 29 % | 16 % |
| 87.5 % | ≈ 91′ | Tension | 81 % | 65 % | 20 % | 38 % |
| 92.5 % | ≈ 96′ | Relief | 78 % | 35 % | 10 % | 60 % |
| 97.5 % | ≈ 101′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
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Details
- Directed by
- Olivier Megaton
- Written by
- Luc Besson, Robert Mark Kamen
- Type
- Movies
- Released
- 2008
- Runtime
- 104 min
- Country
- France, United States, United Kingdom, Ukraine
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





