feeldb

L'ultimo paradiso

2021 · 107 min · Director: Rocco Ricciardulli ★ IMDb 5.7 · 1,855 ratings

Show plot summary (may contain spoilers)

During the 1950s in "Italy", a free and enthusiastic spirit dreams of love, justice and a better life, until a forbidden relationship threatens all of her dreams - inspired by real events.

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Emotional fingerprint

L'ultimo paradiso (2021) — Movie. Top emotional signals: Sadness 30%, Love 25%, Anticipation 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Love25%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Sadness, Love, Anticipation. Genres: Drama, Romance. AI estimate.

Is it worth watching?

Consider this title if you are looking for Sadness, Love and Anticipation. Its IMDb rating of 5.7/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 61/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Sadness
  • Tension
  • Anger

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Love

Dominant emotion: Tension

Dominant emotion: Anger

Dominant emotion: Sadness

Sadness
Tension
Anger
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 48 %, then eases around 78 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensitySadnessTensionAnger
2.5 %≈ 3′Love50 %12 %28 %13 %
7.5 %≈ 8′Tension50 %21 %35 %28 %
12.5 %≈ 13′Anger55 %24 %35 %33 %
17.5 %≈ 19′Love64 %15 %41 %24 %
22.5 %≈ 24′Tension70 %11 %50 %19 %
27.5 %≈ 29′Love73 %15 %49 %19 %
32.5 %≈ 35′Tension70 %23 %55 %25 %
37.5 %≈ 40′Tension73 %30 %68 %36 %
42.5 %≈ 45′Tension84 %45 %78 %54 %
47.5 %≈ 51′Sadness91 %73 %75 %64 %
52.5 %≈ 56′Sadness88 %84 %59 %55 %
57.5 %≈ 62′Sadness79 %70 %55 %50 %
62.5 %≈ 67′Anger75 %56 %64 %59 %
67.5 %≈ 72′Anger75 %54 %66 %61 %
72.5 %≈ 78′Tension75 %48 %66 %54 %
77.5 %≈ 83′Tension69 %39 %56 %39 %
82.5 %≈ 88′Sadness56 %41 %35 %16 %
87.5 %≈ 94′Sadness56 %49 %26 %16 %
92.5 %≈ 99′Sadness67 %57 %27 %35 %
97.5 %≈ 104′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

GC
Giovanni Cirfiera

GB
Gaia Bermani Amaral

Bianca Schettino

VC
Valentina Cervi

Lucia

AG
Antonio Gerardi

Cumpà Schettino

GN
Giuseppe Nardone

Bracciante

TF
Teresa Fiorentino

Sisina

DD
Donato Demita

Cosimo Schettino

Details

Directed by
Rocco Ricciardulli
Written by
Riccardo Scamarcio, Rocco Ricciardulli
Type
Movies
Released
2021
Runtime
107 min
Country
Italy
Genres
Drama, Romance
Ratings
★ IMDb 5.7 · 1,855 ratings
Feels mostly
Sadness
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.