Holy Rollers
2010 · 89 min · Director: Kevin Asch
Show plot summary (may contain spoilers)
Inspired by a true story of a young Hasidic man who was lured into the world of international drug trafficking in the late 90s.
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Emotional fingerprint
Holy Rollers (2010) — Movie. Top emotional signals: Anxiety 30%, Empathy 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety30%
- Empathy25%
- Sadness20%
- Guilt15%
- Anticipation10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Empathy, Sadness. Genres: Drama, Crime, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Empathy and Sadness. Its IMDb rating of 5.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Empathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 30 % | 8 % | 20 % | 2 % |
| 7.5 % | ≈ 7′ | Humor | 31 % | 15 % | 23 % | 6 % |
| 12.5 % | ≈ 11′ | Empathy | 38 % | 25 % | 31 % | 19 % |
| 17.5 % | ≈ 16′ | Sadness | 44 % | 31 % | 34 % | 25 % |
| 22.5 % | ≈ 20′ | Humor | 49 % | 40 % | 28 % | 16 % |
| 27.5 % | ≈ 24′ | Tension | 54 % | 49 % | 31 % | 16 % |
| 32.5 % | ≈ 29′ | Empathy | 49 % | 44 % | 35 % | 21 % |
| 37.5 % | ≈ 33′ | Tension | 41 % | 35 % | 31 % | 15 % |
| 42.5 % | ≈ 38′ | Empathy | 46 % | 39 % | 30 % | 10 % |
| 47.5 % | ≈ 42′ | Tension | 54 % | 50 % | 26 % | 10 % |
| 52.5 % | ≈ 47′ | Tension | 54 % | 54 % | 26 % | 15 % |
| 57.5 % | ≈ 51′ | Tension | 53 % | 53 % | 30 % | 20 % |
| 62.5 % | ≈ 56′ | Tension | 48 % | 45 % | 28 % | 19 % |
| 67.5 % | ≈ 60′ | Sadness | 50 % | 44 % | 36 % | 31 % |
| 72.5 % | ≈ 65′ | Sadness | 64 % | 59 % | 50 % | 45 % |
| 77.5 % | ≈ 69′ | Tension | 65 % | 64 % | 46 % | 38 % |
| 82.5 % | ≈ 73′ | Tension | 56 % | 56 % | 40 % | 31 % |
| 87.5 % | ≈ 78′ | Tension | 59 % | 54 % | 50 % | 43 % |
| 92.5 % | ≈ 82′ | Sadness | 64 % | 44 % | 60 % | 51 % |
| 97.5 % | ≈ 87′ | Hope | 57 % | 23 % | 53 % | 42 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Rebbe Horowitz
Zeldy Lazar
Ivan
Dutch Hasidic Man
Shmuely Lazar
Details
- Directed by
- Kevin Asch
- Written by
- Antonio Macia
- Type
- Movies
- Released
- 2010
- Runtime
- 89 min
- Country
- United States
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Subscription
Free
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





