The Myth of the American Sleepover
2010 · 96 min · Director: David Robert Mitchell
Show plot summary (may contain spoilers)
Four young people navigate the suburban wonderland of metro-Detroit looking for love and adventure on the last weekend of summer.
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Emotional fingerprint
The Myth of the American Sleepover (2010) — Movie. Top emotional signals: Nostalgia 35%, Humor 25%, Love 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Nostalgia, Humor, Love. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Nostalgia, Humor and Love. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Hope
- Melancholy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Melancholy
Dominant emotion: Hope
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Hope | Melancholy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Melancholy | 40 % | 7 % | 15 % | 37 % |
| 7.5 % | ≈ 7′ | Hope | 35 % | 13 % | 21 % | 29 % |
| 12.5 % | ≈ 12′ | Melancholy | 34 % | 20 % | 25 % | 21 % |
| 17.5 % | ≈ 17′ | Humor | 36 % | 18 % | 19 % | 10 % |
| 22.5 % | ≈ 22′ | Humor | 40 % | 10 % | 9 % | 5 % |
| 27.5 % | ≈ 26′ | Humor | 41 % | 13 % | 14 % | 9 % |
| 32.5 % | ≈ 31′ | Hope | 38 % | 16 % | 24 % | 10 % |
| 37.5 % | ≈ 36′ | Tension | 39 % | 20 % | 24 % | 18 % |
| 42.5 % | ≈ 41′ | Love | 46 % | 26 % | 21 % | 23 % |
| 47.5 % | ≈ 46′ | Tension | 46 % | 23 % | 18 % | 16 % |
| 52.5 % | ≈ 50′ | Love | 44 % | 29 % | 23 % | 20 % |
| 57.5 % | ≈ 55′ | Love | 45 % | 38 % | 33 % | 26 % |
| 62.5 % | ≈ 60′ | Hope | 44 % | 30 % | 31 % | 20 % |
| 67.5 % | ≈ 65′ | Humor | 48 % | 25 % | 23 % | 24 % |
| 72.5 % | ≈ 70′ | Melancholy | 51 % | 25 % | 20 % | 36 % |
| 77.5 % | ≈ 74′ | Hope | 48 % | 28 % | 24 % | 39 % |
| 82.5 % | ≈ 79′ | Melancholy | 48 % | 34 % | 29 % | 35 % |
| 87.5 % | ≈ 84′ | Hope | 54 % | 46 % | 41 % | 25 % |
| 92.5 % | ≈ 89′ | Love | 58 % | 57 % | 50 % | 17 % |
| 97.5 % | ≈ 94′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Maggie
Scott Holland
Ady Abbey
Kerri Sullivan
Beth
Marcus
Jen Holland
Steven
Susan
Emma
Janelle Ramsey
Sean Barber
Avalina Height
Cameron Nichols
Andy
Katie Parke
Details
- Directed by
- David Robert Mitchell
- Written by
- David Robert Mitchell
- Type
- Movies
- Released
- 2010
- Runtime
- 96 min
- Country
- United States
- Ratings
- Feels mostly
- Nostalgia
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





