Me and Orson Welles
2008 · 114 min · Director: Richard Linklater
Show plot summary (may contain spoilers)
In November 1937, high school student and aspiring thespian Richard Samuels takes a day trip into New York City. There, he meets and begins a casual friendship with Gretta Adler, their friendship based on a shared love and goal of a profession in the creative arts. But also on this trip, Richard stumbles across the Mercury Theatre and meets Orson Welles, who, based on an impromptu audition, offers Richard an acting job as Lucius in his modern retelling of Julius Caesar, which includes such stalwart Mercury Theatre players as Joseph Cotten and George Coulouris. Despite others with official roles as producer John Houseman, this production belongs to Welles, the unofficial/official dictator. In other words, whatever Welles wants, the cast and crew better deliver. These requests include everything, even those of a sexual nature. Welles does not believe in conventions and will do whatever he wants, which includes not having a fixed opening date, although the unofficial opening date is in one week's time. In turn, Welles realizes that his name will either be strengthened or ruined in the theater community by this production. Richard is taken under the wing by the production's Jane-of-All-Trades, Sonja Jones. Known as the Ice Queen by the male cast, Sonja deflects much of the unwanted sexual attention by jokingly implying that she and Richard are having a fling, which Richard wants nothing more than to be the truth. As the end of the week and opening night approaches, Richard, having seen Welles' behavior, has to decide if acting in this production is worth it at any cost.
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Emotional fingerprint
Me and Orson Welles (2008) — Movie. Top emotional signals: Inspiration 30%, Humor 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Inspiration30%
- Humor25%
- Excitement20%
- Curiosity15%
- Nostalgia10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Inspiration, Humor, Excitement. Genres: Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Inspiration, Humor and Excitement. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Hope
- Tension
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Hope
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Hope | Tension | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Hope | 37 % | 30 % | 7 % | 27 % |
| 7.5 % | ≈ 9′ | Humor | 43 % | 31 % | 14 % | 29 % |
| 12.5 % | ≈ 14′ | Humor | 48 % | 24 % | 26 % | 23 % |
| 17.5 % | ≈ 20′ | Humor | 50 % | 16 % | 33 % | 17 % |
| 22.5 % | ≈ 26′ | Humor | 46 % | 15 % | 30 % | 14 % |
| 27.5 % | ≈ 31′ | Humor | 43 % | 16 % | 25 % | 13 % |
| 32.5 % | ≈ 37′ | Sadness | 40 % | 21 % | 20 % | 14 % |
| 37.5 % | ≈ 43′ | Hope | 43 % | 25 % | 28 % | 14 % |
| 42.5 % | ≈ 48′ | Tension | 49 % | 26 % | 41 % | 15 % |
| 47.5 % | ≈ 54′ | Hope | 51 % | 31 % | 34 % | 27 % |
| 52.5 % | ≈ 60′ | Joy | 55 % | 36 % | 25 % | 39 % |
| 57.5 % | ≈ 66′ | Hope | 55 % | 41 % | 31 % | 34 % |
| 62.5 % | ≈ 71′ | Hope | 57 % | 44 % | 41 % | 23 % |
| 67.5 % | ≈ 77′ | Tension | 68 % | 40 % | 57 % | 14 % |
| 72.5 % | ≈ 83′ | Tension | 71 % | 35 % | 65 % | 12 % |
| 77.5 % | ≈ 88′ | Tension | 71 % | 30 % | 51 % | 29 % |
| 82.5 % | ≈ 94′ | Joy | 74 % | 25 % | 34 % | 43 % |
| 87.5 % | ≈ 100′ | Sadness | 74 % | 34 % | 22 % | 38 % |
| 92.5 % | ≈ 105′ | Hope | 73 % | 55 % | 12 % | 43 % |
| 97.5 % | ≈ 111′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Evelyn Allen
Jeannie Rosenthal
Joe Holland
John Hoyt
Walter Ash
William Mowry
Details
- Directed by
- Richard Linklater
- Written by
- Robert Kaplow, Holly Gent, Vincent Palmo Jr.
- Type
- Movies
- Released
- 2008
- Runtime
- 114 min
- Country
- United Kingdom, Isle of Man, United States
- Ratings
- Feels mostly
- Inspiration
- Data updated
Where to watch
Rent
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





