feeldb

The Widow

2020 · 80 min · Director: Ivan Minin ★ IMDb 4.2 · 1,226 ratings

Show plot summary (may contain spoilers)

In a densely forested area north of St. Petersburg people have been going missing for three decades.The few corpses ever found were naked. On October 14, 2017 a team of volunteers went out into the woods in search of a missing teenager. Soon, all communication with them was lost. Locals believe they were taken by the same dark spirit that took the others. They call it the Limping Widow.

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Emotional fingerprint

The Widow (2020) — Movie. Top emotional signals: Fear 40%, Tension 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

40%Fear
  1. Fear40%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Fear, Tension, Anxiety. Genres: Thriller, Mystery, Horror. AI estimate.

Is it worth watching?

Consider this title if you are looking for Fear, Tension and Anxiety. Its IMDb rating of 4.2/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 59/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Fear
  • Disturbing

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Tension

Dominant emotion: Curiosity

Dominant emotion: Disturbing

Dominant emotion: Fear

Tension
Fear
Disturbing
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 13 %, then rises around 38 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionFearDisturbing
2.5 %≈ 2′Tension47 %42 %30 %35 %
7.5 %≈ 6′Curiosity36 %29 %16 %20 %
12.5 %≈ 10′Curiosity31 %21 %9 %9 %
17.5 %≈ 14′Curiosity40 %33 %16 %15 %
22.5 %≈ 18′Tension51 %46 %28 %29 %
27.5 %≈ 22′Curiosity49 %45 %29 %29 %
32.5 %≈ 26′Tension46 %45 %30 %26 %
37.5 %≈ 30′Tension56 %56 %43 %34 %
42.5 %≈ 34′Tension63 %61 %49 %39 %
47.5 %≈ 38′Curiosity66 %64 %54 %48 %
52.5 %≈ 42′Tension74 %73 %64 %53 %
57.5 %≈ 46′Tension78 %76 %65 %48 %
62.5 %≈ 50′Tension75 %73 %61 %46 %
67.5 %≈ 54′Tension73 %70 %60 %50 %
72.5 %≈ 58′Tension76 %72 %64 %59 %
77.5 %≈ 62′Tension83 %76 %69 %70 %
82.5 %≈ 66′Disturbing83 %76 %69 %70 %
87.5 %≈ 70′Tension83 %79 %74 %65 %
92.5 %≈ 74′Fear85 %77 %78 %69 %
97.5 %≈ 78′Disturbing82 %67 %70 %72 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

VP
Viktotiya Potemina

VP
Viktoriya Potemina

Vika

AG
Anastasiya Gribova

MB
Margarita Bychkova

IA
Ilya Agapov

Ilya

AA
Alexey Aniskin

Lyosha

KN
Konstantin Nesterenko

Andrey

OC
Oleg Chugunov

Nikita

Details

Directed by
Ivan Minin
Written by
Natalya Dubovaya, Ivan Kapitonov, Ivan Minin, Shane Gotcher, Svyatoslav Podgaevsky, Nataliya Dubovaya, Viktoriya Potemina
Type
Movies
Released
2020
Runtime
80 min
Country
Russia
Ratings
★ IMDb 4.2 · 1,226 ratings
Feels mostly
Fear
Data updated

Where to watch

Data: JustWatch

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Emotion overlap shows mood similarity, not a prediction of enjoyment.